{"id":4004,"date":"2026-10-12T11:22:41","date_gmt":"2026-10-12T09:22:41","guid":{"rendered":"https:\/\/dizagn.fr\/?page_id=4004"},"modified":"2026-10-12T11:26:26","modified_gmt":"2026-10-12T09:26:26","slug":"bibliographie-commentee","status":"publish","type":"page","link":"https:\/\/dizagn.fr\/en\/recherche-olivier-mourgue\/bibliographie-commentee\/","title":{"rendered":"Olivier Mourgue \u2014 Annotated Bibliography"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00a0\u00bb1&Prime; module_class=\u00a0\u00bbdz-mourgue-resource\u00a0\u00bb module_id=\u00a0\u00bb\u00a0\u00bb background_color=\u00a0\u00bb#f4efe6&Prime; custom_padding=\u00a0\u00bb45px|6vw|45px|6vw|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb30px|5vw|30px|5vw|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb][et_pb_row width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb900px\u00a0\u00bb custom_padding=\u00a0\u00bb16px|0px|16px|0px|false|false\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_code]<\/p>\n<style>.dz-mourgue-resource h2,.dz-mourgue-resource h3{line-height:1.3}.dz-mourgue-copy p{padding-bottom:1em}.dz-mourgue-resource a{text-decoration:underline;text-underline-offset:3px;color:inherit!important}.dz-mourgue-resource .dz-source{font-size:13px;color:#686157}.dz-mourgue-resource .dz-reference{padding:24px 0;border-top:1px solid #d8d0c3}.dz-mourgue-resource .dz-reference h2{font-size:21px;margin-bottom:10px}.dz-mourgue-resource .dz-date{font-size:26px;font-weight:600;color:#6a5937;margin-bottom:8px}.dz-mourgue-resource .dz-timeline-item{padding:24px 0 24px 22px;border-left:2px solid #c4ad79}.dz-mourgue-resource .dz-timeline-item p{margin:0}.dz-mourgue-resource .dz-resource-nav{font-size:15px;margin-top:25px}.dz-mourgue-resource .dz-piece img{display:block;width:100%;aspect-ratio:1;object-fit:contain;background:#f4efe6}.dz-mourgue-resource .dz-piece h3{font-size:20px;line-height:1.35;margin:16px 0 10px}.dz-mourgue-resource .dz-piece p{font-size:15px;line-height:1.6}.dz-mourgue-resource .dz-piece{margin-bottom:24px}@media(max-width:767px){.dz-mourgue-resource .dz-date{font-size:23px}}<\/style>\n<p>[\/et_pb_code][et_pb_text module_class=\u00a0\u00bbdz-mourgue-copy\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb]<\/p>\n<p class=\"dz-source\"><a href=\"https:\/\/dizagn.fr\/recherche-olivier-mourgue\/\">DIZAGN RECHERCHE \u00b7 OLIVIER MOURGUE<\/a><\/p>\n<p class=\"dz-resource-nav\"><a href=\"https:\/\/dizagn.fr\/recherche-olivier-mourgue\/bibliographie-commentee\/\">Bibliographie comment\u00e9e<\/a> \u00b7 <a href=\"https:\/\/dizagn.fr\/recherche-olivier-mourgue\/chronologie-synthetique-1939-2026\/\">Chronologie synth\u00e9tique 1939\u20132026<\/a> \u00b7 <a href=\"https:\/\/dizagn.fr\/recherche-olivier-mourgue\/olivier-mourgue-chez-dizagn\/\">Olivier Mourgue chez DIZAGN<\/a><\/p>\n<p>[\/et_pb_text][et_pb_heading title=\u00a0\u00bbBibliographie comment\u00e9e\u00a0\u00bb title_level=\u00a0\u00bbh1&Prime; title_font_size=\u00a0\u00bb44px\u00a0\u00bb title_font_size_phone=\u00a0\u00bb32px\u00a0\u00bb title_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb title_line_height=\u00a0\u00bb1.2em\u00a0\u00bb][\/et_pb_heading][et_pb_text module_class=\u00a0\u00bbdz-mourgue-copy\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb]<\/p>\n<p>Une s\u00e9lection pour lire Olivier Mourgue au-del\u00e0 de Djinn : monographies, catalogues, presse d\u2019\u00e9poque et notices de collections. Chaque r\u00e9f\u00e9rence indique ce qu\u2019elle apporte \u00e0 la compr\u00e9hension de l\u2019\u0153uvre.<\/p>\n<p class=\"dz-source\">Les r\u00e9f\u00e9rences issues du m\u00e9moire sont signal\u00e9es comme telles ; leurs commentaires proposent des pistes de lecture. Cette s\u00e9lection ne constitue pas la bibliographie exhaustive de la recherche.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1&Prime; module_class=\u00a0\u00bbdz-mourgue-resource\u00a0\u00bb module_id=\u00a0\u00bb\u00a0\u00bb background_color=\u00a0\u00bb#f4efe6&Prime; custom_padding=\u00a0\u00bb45px|6vw|45px|6vw|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb30px|5vw|30px|5vw|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb][et_pb_row width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb900px\u00a0\u00bb custom_padding=\u00a0\u00bb16px|0px|16px|0px|false|false\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text module_class=\u00a0\u00bbdz-mourgue-copy\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb]<\/p>\n<div class=\"dz-reference\">\n<h2>01 \u00b7 Thibault Lannuzel \u2014 \u00c0 la recherche du r\u00eave, recherche universitaire, 2008\u20132010.<\/h2>\n<p>Travail men\u00e9 \u00e0 l\u2019Universit\u00e9 Paris IV\u2013Sorbonne, sous la direction de Jean-Louis Gaillemin, en collaboration directe avec Olivier Mourgue. Il constitue le socle de ce dossier : entretiens, archives, d\u00e9pouillement des p\u00e9riodiques et \u00e9tude du march\u00e9.<\/p>\n<p class=\"dz-source\">Fonds de recherche Thibault Lannuzel.<\/p>\n<\/div>\n<div class=\"dz-reference\">\n<h2>02 \u00b7 Olivier Mourgue, catalogue d\u2019exposition, Nantes, Mus\u00e9e des arts d\u00e9coratifs, 1976.<\/h2>\n<p>Une r\u00e9f\u00e9rence pour aborder le passage du mobilier industriel aux environnements, aux toiles anim\u00e9es et aux Bo\u00eetes \u00e0 climats. \u00c0 lire comme un jalon dans l\u2019\u00e9volution de son \u0153uvre, au moment de son installation en Bretagne.<\/p>\n<p class=\"dz-source\">R\u00e9f\u00e9rence relev\u00e9e dans la bibliographie du m\u00e9moire.<\/p>\n<\/div>\n<div class=\"dz-reference\">\n<h2>03 \u00b7 Olivier Mourgue: Imaginary Gardens and Little Theaters, Norwich, Sainsbury Centre for Visual Arts, 1992.<\/h2>\n<p>Ce catalogue bilingue permet d\u2019explorer les jardins imaginaires et les petits th\u00e9\u00e2tres, souvent moins connus que les si\u00e8ges. Pr\u00e9faces de Derek Gillman et Norman Foster ; 56 pages. Il \u00e9claire la dimension po\u00e9tique et artistique de son travail.<\/p>\n<p class=\"dz-source\"><a href=\"https:\/\/e-artexte.ca\/id\/eprint\/10203\/\" target=\"_blank\" rel=\"noopener\">Notice bibliographique e-artexte.<\/a><\/p>\n<\/div>\n<div class=\"dz-reference\">\n<h2>04 \u00b7 Olivier Mourgue : peintures, design, jardins imaginaires et petits th\u00e9\u00e2tres, Brest, Mus\u00e9e des Beaux-Arts, 2004.<\/h2>\n<p>Publi\u00e9 \u00e0 l\u2019occasion de l\u2019exposition du 20 novembre 2004 au 20 f\u00e9vrier 2005, ce catalogue invite \u00e0 regarder ensemble design et cr\u00e9ation artistique. Une lecture utile pour comprendre la place de la Bretagne dans son parcours.<\/p>\n<p class=\"dz-source\">R\u00e9f\u00e9rence relev\u00e9e dans la bibliographie du m\u00e9moire.<\/p>\n<\/div>\n<div class=\"dz-reference\">\n<h2>05 \u00b7 Mobilier national 1964\u20132004 : 40 ans de cr\u00e9ation, Paris, R\u00e9union des mus\u00e9es nationaux \/ Mobilier national, 2004.<\/h2>\n<p>Le catalogue replace les commandes faites aux designers dans le cadre de l\u2019Atelier de recherche et de cr\u00e9ation. Il aide \u00e0 comprendre Montr\u00e9al, les recherches pour l\u2019habitat et les am\u00e9nagements comme la Cellule Caf\u00e9t\u00e9ria.<\/p>\n<p class=\"dz-source\"><a href=\"https:\/\/www.boutiquesdemusees.fr\/fr\/ext\/product\/autres-musees\/749-mobilier-national-1964-2004-40-ans-de-creation.html\" target=\"_blank\" rel=\"noopener\">Notice \u00e9ditoriale GrandPalaisRmn.<\/a><\/p>\n<\/div>\n<div class=\"dz-reference\">\n<h2>06 \u00b7 Pierre Deligny \u2014 Airborne, Les Modernistes, 2012.<\/h2>\n<p>Une histoire de l\u2019\u00e9diteur, de ses mod\u00e8les et de ses collaborations. \u00c0 consulter pour situer Joker, Djinn et les autres cr\u00e9ations de Mourgue dans les conditions de production et de diffusion du mobilier fran\u00e7ais des Trente Glorieuses.<\/p>\n<p class=\"dz-source\"><a href=\"https:\/\/galeriepascalcuisinier.com\/publication\/airborne\/\" target=\"_blank\" rel=\"noopener\">Pr\u00e9sentation \u00e9ditoriale.<\/a><\/p>\n<\/div>\n<div class=\"dz-reference\">\n<h2>07 \u00b7 Patrick Favardin et Guy Bloch-Champfort \u2014 Les D\u00e9corateurs des ann\u00e9es 60\u201370, Paris, Norma, 2007.<\/h2>\n<p>Un ouvrage de contexte pour rapprocher Mourgue des autres cr\u00e9ateurs de sa g\u00e9n\u00e9ration. Il offre un cadre de comparaison entre nouveaux mat\u00e9riaux, transformation de l\u2019habitat et exp\u00e9rimentations spatiales.<\/p>\n<p class=\"dz-source\">R\u00e9f\u00e9rence relev\u00e9e dans la bibliographie du m\u00e9moire.<\/p>\n<\/div>\n<div class=\"dz-reference\">\n<h2>08 \u00b7 Mobilia, n\u00b0116, mars 1965, couverture et p. 1\u20138.<\/h2>\n<p>La documentation du mobilier Airborne permet de suivre les premi\u00e8res pr\u00e9sentations de Djinn et Whist. Les photographies et mises en sc\u00e8ne renseignent autant sur les objets que sur les postures et les modes de vie propos\u00e9s.<\/p>\n<p class=\"dz-source\">R\u00e9f\u00e9rence relev\u00e9e dans la bibliographie du m\u00e9moire.<\/p>\n<\/div>\n<div class=\"dz-reference\">\n<h2>09 \u00b7 Domus, n\u00b0452, juillet 1967, p. 38\u201339 ; n\u00b0473, avril 1969, p. 36.<\/h2>\n<p>Deux entr\u00e9es pour passer du studio et de l\u2019am\u00e9nagement int\u00e9rieur aux meubles distribu\u00e9s par Prisunic. Ces documents d\u2019\u00e9poque montrent concr\u00e8tement le lien entre espace, usages et diffusion du design.<\/p>\n<p class=\"dz-source\">R\u00e9f\u00e9rences relev\u00e9es dans la bibliographie et les annexes du m\u00e9moire.<\/p>\n<\/div>\n<div class=\"dz-reference\">\n<h2>10 \u00b7 Abitare, n\u00b095\u201396, mai\u2013juillet 1971, p. 102\u2013105, 108 et 132\u2013133.<\/h2>\n<p>Une documentation centrale pour les recherches sur la mobilit\u00e9 et les dispositifs de toile. Elle aide \u00e0 suivre l\u2019\u00e9largissement du projet, du meuble vers l\u2019\u00e9quipement transportable et les mani\u00e8res d\u2019habiter.<\/p>\n<p class=\"dz-source\">R\u00e9f\u00e9rence relev\u00e9e dans la bibliographie du m\u00e9moire.<\/p>\n<\/div>\n<div class=\"dz-reference\">\n<h2>11 \u00b7 Domus, n\u00b0509, avril 1972 \u2014 Visiona III ; Elle, n\u00b01333, 5 juillet 1971, p. 70\u201371 \u2014 L\u2019appartement en mouvement.<\/h2>\n<p>Ces deux publications permettent de comparer un environnement prospectif pour Bayer et une recherche sur le logement. \u00c0 lire ensemble pour saisir la logique des syst\u00e8mes, des zones d\u2019usage et des \u00e9l\u00e9ments mobiles.<\/p>\n<p class=\"dz-source\">R\u00e9f\u00e9rences relev\u00e9es dans la bibliographie du m\u00e9moire.<\/p>\n<\/div>\n<div class=\"dz-reference\">\n<h2>12 \u00b7 Olivier Mourgue \u2014 Il \u00e9tait une fois Bouloum, Hexaform, n\u00b01, 1975, p. 14\u201321.<\/h2>\n<p>Un texte du designer, pr\u00e9cieux pour comprendre Bouloum au-del\u00e0 de sa silhouette. Il permet de revenir aux intentions, au jeu et aux usages, puis de confronter ce r\u00e9cit aux versions et aux documents conserv\u00e9s.<\/p>\n<p class=\"dz-source\">R\u00e9f\u00e9rence relev\u00e9e dans la bibliographie du m\u00e9moire.<\/p>\n<\/div>\n<div class=\"dz-reference\">\n<h2>13 \u00b7 MoMA et Centre Pompidou \u2014 notices des \u0153uvres d\u2019Olivier Mourgue.<\/h2>\n<p>Des outils de v\u00e9rification pour les dates, les mat\u00e9riaux, les variantes et la pr\u00e9sence des mod\u00e8les dans les collections publiques. Les notices doivent \u00eatre confront\u00e9es aux archives d\u2019\u00e9dition : une date de cr\u00e9ation ne d\u00e9signe pas n\u00e9cessairement chaque exemplaire produit.<\/p>\n<p class=\"dz-source\"><a href=\"https:\/\/www.centrepompidou.fr\/fr\/ressources\/personne\/cj6Bqx\" target=\"_blank\" rel=\"noopener\">Notices institutionnelles en ligne.<\/a><\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DIZAGN RECHERCHE \u00b7 OLIVIER MOURGUEBibliographie comment\u00e9e \u00b7 Chronologie synth\u00e9tique 1939\u20132026 \u00b7 Olivier Mourgue chez DIZAGNUne s\u00e9lection pour lire Olivier Mourgue au-del\u00e0 de Djinn : monographies, catalogues, presse d\u2019\u00e9poque et notices de collections. Chaque r\u00e9f\u00e9rence indique ce qu\u2019elle apporte \u00e0 la compr\u00e9hension de l\u2019\u0153uvre.Les r\u00e9f\u00e9rences issues du m\u00e9moire sont signal\u00e9es comme telles ; leurs commentaires proposent [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":2885,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-4004","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Olivier Mourgue \u2014 Bibliographie comment\u00e9e - DIZAGN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dizagn.fr\/en\/recherche-olivier-mourgue\/bibliographie-commentee\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Olivier Mourgue \u2014 Bibliographie comment\u00e9e - DIZAGN\" \/>\n<meta property=\"og:description\" content=\"DIZAGN RECHERCHE \u00b7 OLIVIER MOURGUEBibliographie comment\u00e9e \u00b7 Chronologie synth\u00e9tique 1939\u20132026 \u00b7 Olivier Mourgue chez DIZAGNUne s\u00e9lection pour lire Olivier Mourgue au-del\u00e0 de Djinn : monographies, catalogues, presse d\u2019\u00e9poque et notices de collections. 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