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href=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22300%22%20height%3D%22300%22%3E%3Cdefs%3E%3CradialGradient%20id%3D%22g%22%3E%3Cstop%20offset%3D%220%22%20stop-color%3D%22%23000%22%2F%3E%3Cstop%20offset%3D%221%22%20stop-color%3D%22%23fff%22%2F%3E%3C%2FradialGradient%3E%3Cpattern%20id%3D%22p%22%20width%3D%2210%22%20height%3D%2210%22%20patternUnits%3D%22userSpaceOnUse%22%3E%3Crect%20width%3D%2210%22%20height%3D%2210%22%20fill%3D%22%23fff%22%2F%3E%3Ccircle%20cx%3D%225%22%20cy%3D%225%22%20r%3D%225%22%20fill%3D%22url(%23g)%22%2F%3E%3C%2Fpattern%3E%3C%2Fdefs%3E%3Crect%20width%3D%22300%22%20height%3D%22300%22%20fill%3D%22url(%23p)%22%2F%3E%3C%2Fsvg%3E\" x=\"0\" y=\"0\" width=\"100%\" height=\"100%\" preserveAspectRatio=\"none\" result=\"dots\"\/><feComposite in=\"gray\" in2=\"dots\" operator=\"arithmetic\" k1=\"0\" k2=\"1\" k3=\"1\" k4=\"-0.5\" result=\"screen\"\/><feComponentTransfer in=\"screen\"><feFuncR type=\"discrete\" tableValues=\"0 1\"\/><feFuncG type=\"discrete\" tableValues=\"0 1\"\/><feFuncB type=\"discrete\" tableValues=\"0 1\"\/><\/feComponentTransfer><feColorMatrix type=\"matrix\" values=\".87 0 0 0 .075 0 .855 0 0 .07 0 0 .80 0 .06 0 0 0 1 0\"\/><\/filter><\/defs><\/svg><main class=\"dz-editorial dz-directory\"><\/p>\n<div class=\"dz-shell\">\n<div class=\"dz-eyebrow\"><a href=\"\/recherche\/\">RECHERCHE<\/a> \/ <a href=\"\/recherche\/ar-seiz-breur\/\">AR SEIZ BREUR<\/a><\/div>\n<h1>ARTISTES<!\u2013- [et_pb_br_holder] -\u2013>&amp; ATELIERS<\/h1>\n<pee class=\"dz-lead\">Des parcours qui croisent le mobilier, les arts d\u00e9coratifs et l\u2019architecture. Ce r\u00e9pertoire distingue les membres du mouvement, les cr\u00e9ateurs proches de ses recherches et les ateliers qui en prolongent l\u2019histoire.<\/pee>\n<nav class=\"dz-nav\" aria-label=\"Biographies\"><a href=\"#jacques-philippe\">Jacques Philippe<\/a><a href=\"#andre-et-valentin-branthome\">Andr\u00e9 et Valentin Branth\u00f4me<\/a><a href=\"#jorj-rual\">Jorj Rual<\/a><a href=\"#jim-sevellec\">Jim-E. S\u00e9vellec<\/a><a href=\"#rene-yves-creston\">Ren\u00e9-Yves Creston<\/a><a href=\"#suzanne-creston\">Suzanne Candr\u00e9-Creston<\/a><a href=\"#xavier-de-langlais\">Xavier de Langlais<\/a><a href=\"#robert-micheau-vernez\">Robert Micheau-Vernez<\/a><a href=\"#gaston-sebilleau\">Gaston S\u00e9billeau<\/a><a href=\"#james-bouille\">James Bouill\u00e9<\/a><\/nav>\n<section class=\"dz-profile\" id=\"jacques-philippe\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>JACQUES PHILIPPE<\/h2>\n<pee class=\"dz-date\">1896\u20131958 \u00b7 Sculpteur-d\u00e9corateur \u00b7 mobilier<\/pee><pee>Install\u00e9 \u00e0 Rennes, Jacques Philippe participe au renouvellement du d\u00e9cor et du mobilier bretons dans les ann\u00e9es 1920. Son atelier d\u2019art celtique propose des ensembles destin\u00e9s aux int\u00e9rieurs : salles \u00e0 manger, studios et bureaux. Ren\u00e9 Trotel reproduit un buffet \u00e0 quatre portes en ch\u00eane dat\u00e9 de 1938, conserv\u00e9 au Mus\u00e9e de Bretagne, ainsi qu\u2019un tr\u00f4ne \u00e9piscopal accompagn\u00e9 de son tabouret et d\u2019un banc (p. 207).<\/pee>\n<figure class=\"dz-document-inline\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Jacques-Philippe-\u2014-buffet-et-trone-\u2014-Rene-Trotel-p207-scaled.jpg\" target=\"_blank\" rel=\"noopener\"><\/p>\n<div style=\"position:relative;aspect-ratio:3\/4;overflow:hidden\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Jacques-Philippe-\u2014-buffet-et-trone-\u2014-Rene-Trotel-p207-scaled.jpg\" alt=\"Jacques Philippe, buffet en ch\u00eane, 1938, Mus\u00e9e de Bretagne ; tr\u00f4ne \u00e9piscopal avec tabouret et banc. Ren\u00e9 Trotel, p. 207.\" style=\"position:absolute;width:133.333%!important;max-width:none!important;left:-16.667%;top:12.5%;height:auto;max-height:none;transform:rotate(90deg)\"><\/div>\n<p><\/a><figcaption>Jacques Philippe, buffet en ch\u00eane, 1938, Mus\u00e9e de Bretagne ; tr\u00f4ne \u00e9piscopal avec tabouret et banc. Ren\u00e9 Trotel, p. 207. Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<figure class=\"dz-document-inline\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/2023-JACQUES-PHILIPPE-sam-chaise-table-bahut.jpg.webp\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/2023-JACQUES-PHILIPPE-sam-chaise-table-bahut.jpg.webp\" alt=\"Ensemble de mobilier attribu\u00e9 \u00e0 Jacques Philippe. Document du dossier \u00ab AR SEIZ BREUR VISUELS WEB \u00bb, fichier dat\u00e9 de 2023.\"><\/a><figcaption>Ensemble de mobilier attribu\u00e9 \u00e0 Jacques Philippe. Document du dossier \u00ab AR SEIZ BREUR VISUELS WEB \u00bb, fichier dat\u00e9 de 2023. Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<pee> Le bois sculpt\u00e9 y devient le support d\u2019un langage d\u00e9coratif renouvel\u00e9, adapt\u00e9 \u00e0 des usages contemporains.<\/pee><\/div>\n<figure>\n<div class=\"dz-monogram\" aria-label=\"Portrait en attente\">JP<\/div><figcaption class=\"dz-credit\">Monogramme provisoire \u00b7 portrait en attente.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>Ses r\u00e9alisations comprennent \u00e9galement du mobilier religieux, notamment pour le grand s\u00e9minaire de Saint-Brieuc et la chapelle de Saint-Alexis \u00e0 Noyal. Les t\u00e9moignages de la presse bretonne et de la revue Kornog le situent parmi les pionniers de ce renouveau. Son parcours \u00e9claire le milieu artistique dans lequel se d\u00e9veloppe l\u2019aventure des Seiz Breur, sans confondre proximit\u00e9 esth\u00e9tique et appartenance au groupe.<\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1896 \u2014 Naissance \u00e0 Guingamp.<\/li>\n<li>1925 \u2014 Atelier d\u2019art celtique \u00e9tabli \u00e0 Rennes.<\/li>\n<li>1928 \u2014 Pr\u00e9sence de son travail dans la revue Kornog.<\/li>\n<li>1958 \u2014 D\u00e9c\u00e8s \u00e0 Rennes.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/musee-breton.finistere.fr\/fr\/notice\/2001-26-2-meuble-vestiaire-musee-departemental-breton-f8a923fa-5924-4a1e-adf3-1efa1e38390c\" target=\"_blank\" rel=\"noopener\">Mus\u00e9e d\u00e9partemental breton \u00b7 notice du meuble-vestiaire \u2197<\/a><\/pee>\n<h3><span class=\"dz-library-fr notranslate\">BIBLIOGRAPHIE<\/span><span class=\"dz-library-en notranslate\">LIBRARY<\/span><\/h3>\n<ul>\n<li>Daniel Le Cou\u00e9dic et Jean-Yves Veillard (dir.), <em>Ar Seiz Breur 1923\u20131947. La cr\u00e9ation bretonne entre tradition et modernit\u00e9<\/em>, Terre de Brume \/ Mus\u00e9e de Bretagne, Rennes, 2000.<\/li>\n<li>Ren\u00e9 Trotel, <em>Le Mobilier Breton. Histoire et splendeurs d\u2019un artisanat r\u00e9gional<\/em>, Coop Breizh, pr\u00e9face de Laurence Prod\u2019homme.<\/li>\n<li>Pascal Aumasson, <em>Seiz Breur. Pour un art moderne en Bretagne<\/em>, Locus Solus, 2023.<\/li>\n<\/ul>\n<style>.dz-library-grid{display:grid;grid-template-columns:repeat(4,minmax(0,1fr));gap:32px 24px;margin:32px 0 48px}.dz-library-book{margin:0!important;min-width:0}.dz-library-book img{display:block!important;width:100%!important;height:300px!important;object-fit:contain!important;transform:none!important;filter:none!important;border:0!important;background:transparent!important}.dz-library-book h4{font-size:18px!important;line-height:1.35!important;margin:18px 0 10px!important}.dz-library-book p,.dz-library-book figcaption{font-size:14px!important;line-height:1.6!important}.dz-library-book p{margin:0 0 10px!important}.dz-library-book figcaption>a{font-size:12px}.dz-library-en{display:none}html[lang^=\"en\"] .dz-library-fr{display:none}html[lang^=\"en\"] .dz-library-en{display:inline}@media(max-width:980px){.dz-library-grid{grid-template-columns:repeat(2,minmax(0,1fr))}}@media(max-width:540px){.dz-library-grid{grid-template-columns:1fr}.dz-library-book img{height:320px!important}}<\/style>\n<div class=\"dz-library-grid\">\n<figure class=\"dz-library-book\" data-book=\"7\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/008-quimper-cornouaille-annees-1920-1930.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/008-quimper-cornouaille-annees-1920-1930.jpg\" alt=\"Couverture : Quimper Cornouaille. Ann\u00e9es 1920\/1930\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Quimper Cornouaille. Ann\u00e9es 1920\/1930<\/h4>\n<pee>Philippe Le Stum (dir.)<!\u2013- [et_pb_br_holder] -\u2013>Palantines, Quimper \u00b7 2010 \u00b7 173 p.<\/pee><pee>Catalogue consacr\u00e9 \u00e0 l\u2019Art d\u00e9co en Cornouaille : mobilier, c\u00e9ramique et arts plastiques.<\/pee><a href=\"https:\/\/archives.quimper.bzh\/ark%3A\/naan\/a011725607910OV9dDX\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<\/div>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"andre-et-valentin-branthome\"><span id=\"valentin-branthome\" aria-hidden=\"true\"><\/span><span id=\"andre-branthome\" aria-hidden=\"true\"><\/span><\/p>\n<div class=\"dz-profile-head\">\n<div>\n<h2>ANDR\u00c9 ET VALENTIN BRANTH\u00d4ME<\/h2>\n<pee class=\"dz-date\">Andr\u00e9 : 1926\u20132018 \u00b7 Valentin : 1897\u20131979<!\u2013- [et_pb_br_holder] -\u2013>Atelier familial de Rostrenen \u00b7 mobilier<\/pee><pee>Andr\u00e9 et Valentin Branth\u00f4me sont r\u00e9unis ici dans une m\u00eame histoire d\u2019atelier : celle des \u00e9tablissements Branth\u00f4me de Rostrenen et de la transmission familiale du m\u00e9tier du meuble. Valentin, n\u00e9 en 1897, est le p\u00e8re d\u2019Andr\u00e9, n\u00e9 en 1926. Il se distingue de son propre p\u00e8re, \u00e9galement pr\u00e9nomm\u00e9 Valentin (1865\u20131926).<\/pee><\/div>\n<figure>\n<div class=\"dz-monogram\" aria-label=\"Portraits de l\u2019atelier Branth\u00f4me en attente\">AB \u00b7 VB<\/div><figcaption class=\"dz-credit\">Atelier Branth\u00f4me \u00b7 portraits en attente.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>La manufacture de la rue Joseph-Pennec, \u00e9tudi\u00e9e par l\u2019Inventaire du patrimoine, documente l\u2019activit\u00e9 de production de mobilier \u00e0 Rostrenen. Le parcours de Valentin puis d\u2019Andr\u00e9 permet de lire la continuit\u00e9 d\u2019une entreprise familiale, ses savoir-faire et son adaptation aux usages du XXe si\u00e8cle. Les attributions de meubles restent \u00e0 confronter aux marques, aux provenances et aux documents de l\u2019atelier.<\/pee>\n<h3>Une m\u00e9moire familiale : l\u2019article de Pierre Branth\u00f4me<\/h3>\n<pee>Dans \u00ab L\u2019h\u00f4tel noble du Porzh-Mo\u00eblou \u00e0 Rostrenen \u00bb, publi\u00e9 en octobre 2023, Pierre Branth\u00f4me retrace l\u2019histoire d\u2019une demeure ancienne et d\u2019une plaque de chemin\u00e9e conserv\u00e9e par sa famille. Il relate la construction, en 1953, d\u2019une maison destin\u00e9e par Valentin \u00e0 son fils Andr\u00e9, futur successeur des \u00e9tablissements Valentin Branth\u00f4me. Se pr\u00e9sentant comme le premier enfant d\u2019Andr\u00e9, l\u2019auteur \u00e9voque ses souvenirs de cette maison et la transmission de cet objet ancien. Ce t\u00e9moignage \u00e9claire le cadre familial de l\u2019atelier et compl\u00e8te la documentation sur sa continuit\u00e9 apr\u00e8s-guerre.<\/pee><pee><a href=\"https:\/\/cghp-poher.net\/uploads\/fichiers_telecharger\/k82\/Kaier%20ar%20Poher%20n82.pdf#page=22\" target=\"_blank\" rel=\"noopener\">Lire l\u2019article de Pierre Branth\u00f4me \u00b7 Kaier ar Poher n\u00b0 82, p. 22\u201327 \u2197<\/a><\/pee><pee>L\u2019histoire de cet atelier est pr\u00e9sent\u00e9e dans le contexte du renouveau du mobilier breton. La continuit\u00e9 familiale apr\u00e8s 1947 ne suffit pas, \u00e0 elle seule, \u00e0 \u00e9tablir une participation personnelle au mouvement Seiz Breur.<\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1897\u20131979 \u2014 Valentin Branth\u00f4me.<\/li>\n<li>1926\u20132018 \u2014 Andr\u00e9 Branth\u00f4me, fils de Valentin.<\/li>\n<li>1953 \u2014 Maison construite par Valentin pour Andr\u00e9 \u00e0 Rostrenen.<\/li>\n<li>Octobre 2023 \u2014 Publication du t\u00e9moignage familial de Pierre Branth\u00f4me.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/cghp-poher.net\/uploads\/fichiers_telecharger\/k82\/Kaier%20ar%20Poher%20n82.pdf\" target=\"_blank\" rel=\"noopener\">Pierre Branth\u00f4me \u00b7 L\u2019h\u00f4tel noble du Porzh-Mo\u00eblou \u00e0 Rostrenen \u2197<\/a> \u00b7 <a href=\"https:\/\/www.patrimoine.bzh\/gertrude-diffusion\/dossier\/IA22008246\" target=\"_blank\" rel=\"noopener\">Inventaire du patrimoine \u00b7 usine de meubles Branth\u00f4me \u2197<\/a><\/pee>\n<h3><span class=\"dz-library-fr notranslate\">BIBLIOGRAPHIE<\/span><span class=\"dz-library-en notranslate\">LIBRARY<\/span><\/h3>\n<ul>\n<li>Pierre Branth\u00f4me, \u00ab L\u2019h\u00f4tel noble du Porzh-Mo\u00eblou \u00e0 Rostrenen \u00bb, <em>Kaier ar Poher<\/em>, n\u00b0 82, octobre 2023, p. 22\u201327.<\/li>\n<li>Ren\u00e9 Trotel, <em>Le Mobilier Breton. Histoire et splendeurs d\u2019un artisanat r\u00e9gional<\/em>, Coop Breizh, pr\u00e9face de Laurence Prod\u2019homme.<\/li>\n<li>Daniel Le Cou\u00e9dic et Jean-Yves Veillard (dir.), <em>Ar Seiz Breur 1923\u20131947. La cr\u00e9ation bretonne entre tradition et modernit\u00e9<\/em>, Terre de Brume \/ Mus\u00e9e de Bretagne, 2000. Contexte du renouveau breton.<\/li>\n<li>Pascal Aumasson, <em>Seiz Breur. Pour un art moderne en Bretagne<\/em>, Locus Solus, 2023. Rep\u00e8re de contexte.<\/li>\n<\/ul>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"jorj-rual\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>JORJ RUAL<\/h2>\n<pee class=\"dz-date\">1901\u20131986 \u00b7 \u00c9b\u00e9niste \u00b7 Rennes<\/pee><pee>Jorj Rual, \u00e9galement nomm\u00e9 Georges Rual, est un \u00e9b\u00e9niste rennais dont le parcours associe m\u00e9tier d\u2019atelier et enseignement. Il rejoint les Seiz Breur en 1932 et participe \u00e0 l\u2019Exposition internationale de 1937. Il reprend l\u2019entreprise familiale au milieu des ann\u00e9es 1930. Trotel pr\u00e9cise qu\u2019il dirige l\u2019entreprise en 1935 et reproduit les lambris sculpt\u00e9s de la cr\u00eaperie Ar Pillig, rue d\u2019Argentr\u00e9 \u00e0 Rennes, o\u00f9 il intervient aux c\u00f4t\u00e9s de Ren\u00e9-Yves Creston et Jean Goron (p. 212).<\/pee>\n<figure class=\"dz-document-inline\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Jorj-Rual-et-Robert-Micheau-Vernez-\u2014-Rene-Trotel-p212-213-scaled.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Jorj-Rual-et-Robert-Micheau-Vernez-\u2014-Rene-Trotel-p212-213-scaled.jpg\" alt=\"Jorj Rual, lambris de la cr\u00eaperie Ar Pillig ; Robert Micheau-Vernez, chambre \u00e0 coucher, 1932, Mus\u00e9e d\u00e9partemental breton. Ren\u00e9 Trotel, p. 212\u2013213.\" style=\"transform:rotate(180deg)\"><\/a><figcaption>Jorj Rual, lambris de la cr\u00eaperie Ar Pillig ; Robert Micheau-Vernez, chambre \u00e0 coucher, 1932, Mus\u00e9e d\u00e9partemental breton. Ren\u00e9 Trotel, p. 212\u2013213. Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<figure class=\"dz-document-inline\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/2026-02-15-OUEST-ENCHERES-Jorj-RUAL-fauteuil-scaled.png\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/2026-02-15-OUEST-ENCHERES-Jorj-RUAL-fauteuil-scaled.png\" alt=\"Paire de fauteuils attribu\u00e9e \u00e0 Jorj Rual, vers 1940. Ouest Ench\u00e8res, 15 f\u00e9vrier 2026, lot 526 ; provenance indiqu\u00e9e au catalogue : succession Georges Rual, puis descendance.\"><\/a><figcaption>Paire de fauteuils attribu\u00e9e \u00e0 Jorj Rual, vers 1940. Ouest Ench\u00e8res, 15 f\u00e9vrier 2026, lot 526 ; provenance indiqu\u00e9e au catalogue : succession Georges Rual, puis descendance. Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<pee><\/pee><\/div>\n<figure>\n<div class=\"dz-monogram\" aria-label=\"Portrait en attente\">JR<\/div><figcaption class=\"dz-credit\">Monogramme provisoire \u00b7 portrait en attente.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>Sa formation et ses collaborations ouvrent le mobilier r\u00e9gional aux recherches contemporaines sur la structure, les proportions et l\u2019am\u00e9nagement int\u00e9rieur. Son travail s\u2019inscrit dans le r\u00e9seau des artisans et d\u00e9corateurs qui donnent une traduction concr\u00e8te au projet de modernit\u00e9 bretonne. Les catalogues de mobilier documentent ses pi\u00e8ces et leurs attributions ; ils constituent des rep\u00e8res \u00e0 confronter aux \u0153uvres et aux archives.<\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1901 \u2014 Naissance.<\/li>\n<li>1932 \u2014 Entr\u00e9e dans les Seiz Breur.<\/li>\n<li>1937 \u2014 Participation au contexte de l\u2019Exposition internationale de Paris.<\/li>\n<li>1986 \u2014 D\u00e9c\u00e8s.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/karl-benz.com\/fr\/lot-80-19552-91_attribue_jorj_rual_rennes_1901_1986im\" target=\"_blank\" rel=\"noopener\">Karl Benz \u00b7 notice d\u2019un mobilier attribu\u00e9 \u00e0 Jorj Rual \u2197<\/a> \u00b7 <a href=\"https:\/\/www.keraluc.com\/IMG\/pdf\/amebretonne2023.pdf\" target=\"_blank\" rel=\"noopener\">Adjug\u2019art \u00b7 L\u2019\u00e2me bretonne, 2023 \u2197<\/a><\/pee>\n<h3>Bibliographie<\/h3>\n<ul>\n<li>Daniel Le Cou\u00e9dic et Jean-Yves Veillard (dir.), <em>Ar Seiz Breur 1923\u20131947. La cr\u00e9ation bretonne entre tradition et modernit\u00e9<\/em>, Terre de Brume \/ Mus\u00e9e de Bretagne, Rennes, 2000.<\/li>\n<li>Ren\u00e9 Trotel, <em>Le Mobilier Breton. Histoire et splendeurs d\u2019un artisanat r\u00e9gional<\/em>, Coop Breizh, pr\u00e9face de Laurence Prod\u2019homme.<\/li>\n<li><em>L\u2019\u00c2me bretonne<\/em>, catalogue de vente Adjug\u2019art, 2023.<\/li>\n<li>Pascal Aumasson, <em>Seiz Breur. Pour un art moderne en Bretagne<\/em>, Locus Solus, 2023.<\/li>\n<\/ul>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"jim-sevellec\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>JIM-E. S\u00c9VELLEC<\/h2>\n<pee class=\"dz-date\">1897\u20131971 \u00b7 Peintre et d\u00e9corateur \u00b7 mobilier<\/pee><pee>N\u00e9 \u00e0 Camaret-sur-Mer, Eug\u00e8ne S\u00e9vellec, dit Jim-E. S\u00e9vellec, d\u00e9veloppe une \u0153uvre de peintre, d\u2019illustrateur et de d\u00e9corateur \u00e9troitement li\u00e9e \u00e0 la Bretagne. Il travaille \u00e9galement pour la fa\u00efencerie Henriot et devient peintre de la Marine en 1936. \u00c0 Brest, ses dioramas de la tour Tanguy participent \u00e0 la m\u00e9moire de la ville.<\/pee><\/div>\n<figure>\n<div class=\"dz-face\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Jim-E.-Sevellec-\u2014-portrait-\u2014-Droits-reserves.jpg\" alt=\"Jim-E. S\u00e9vellec \u2014 Droits r\u00e9serv\u00e9s\"><\/div><figcaption class=\"dz-credit\">Collection particuli\u00e8re \u00b7 Soci\u00e9t\u00e9 des Amis de Jim-E. S\u00e9vellec \u00b7 Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>Son activit\u00e9 dans le mobilier m\u00e9rite une attention particuli\u00e8re. Le Mus\u00e9e d\u00e9partemental breton conserve notamment une table et des buffets con\u00e7us vers 1935. Bois sculpt\u00e9, sc\u00e8nes de danse et de procession, motifs g\u00e9om\u00e9triques : le meuble accueille chez lui une narration d\u00e9corative. Ces ensembles permettent d\u2019\u00e9tudier les \u00e9changes entre peinture, d\u00e9cor et cadre de vie.<\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1897 \u2014 Naissance \u00e0 Camaret.<\/li>\n<li>Vers 1935 \u2014 Projets de mobilier.<\/li>\n<li>1936 \u2014 Nomination comme peintre officiel de la Marine.<\/li>\n<li>1971 \u2014 D\u00e9c\u00e8s \u00e0 Brest.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/www.jimsevellec.org\/jim-e-s%C3%A9vellec\/\" target=\"_blank\" rel=\"noopener\">Soci\u00e9t\u00e9 des Amis de Jim-E. S\u00e9vellec \u00b7 biographie \u2197<\/a> \u00b7 <a href=\"https:\/\/www.jimsevellec.org\/catalogue-des-%C5%93uvres\/mobilier\/\" target=\"_blank\" rel=\"noopener\">Catalogue des \u0153uvres \u00b7 mobilier \u2197<\/a><\/pee>\n<h3><span class=\"dz-library-fr notranslate\">BIBLIOGRAPHIE<\/span><span class=\"dz-library-en notranslate\">LIBRARY<\/span><\/h3>\n<ul>\n<li>Daniel Le Cou\u00e9dic et Jean-Yves Veillard (dir.), <em>Ar Seiz Breur 1923\u20131947. La cr\u00e9ation bretonne entre tradition et modernit\u00e9<\/em>, Terre de Brume \/ Mus\u00e9e de Bretagne, Rennes, 2000.<\/li>\n<li>Ren\u00e9 Trotel, <em>Le Mobilier Breton. Histoire et splendeurs d\u2019un artisanat r\u00e9gional<\/em>, Coop Breizh, pr\u00e9face de Laurence Prod\u2019homme.<\/li>\n<li>Armel Morgant, <em>Jim-E. S\u00e9vellec. L\u2019Esprit du pays<\/em>, Locus Solus, 2023.<\/li>\n<li>Jim et Jo\u00ebl S\u00e9vellec, <em>Histoire de Brest. Son histoire et son r\u00f4le dans la vie de la Basse-Bretagne<\/em>, Imprimerie du T\u00e9l\u00e9gramme, 1955.<\/li>\n<\/ul>\n<div class=\"dz-library-grid\">\n<figure class=\"dz-library-book\" data-book=\"7\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/008-quimper-cornouaille-annees-1920-1930.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/008-quimper-cornouaille-annees-1920-1930.jpg\" alt=\"Couverture : Quimper Cornouaille. Ann\u00e9es 1920\/1930\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Quimper Cornouaille. Ann\u00e9es 1920\/1930<\/h4>\n<pee>Philippe Le Stum (dir.)<!\u2013- [et_pb_br_holder] -\u2013>Palantines, Quimper \u00b7 2010 \u00b7 173 p.<\/pee><pee>Catalogue consacr\u00e9 \u00e0 l\u2019Art d\u00e9co en Cornouaille : mobilier, c\u00e9ramique et arts plastiques.<\/pee><a href=\"https:\/\/archives.quimper.bzh\/ark%3A\/naan\/a011725607910OV9dDX\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<\/div>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"rene-yves-creston\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>REN\u00c9-YVES CRESTON<\/h2>\n<pee class=\"dz-date\">1898\u20131964 \u00b7 Artiste, ethnologue \u00b7 cofondateur<\/pee><pee>Ren\u00e9-Yves Creston participe en 1923 \u00e0 la fondation des Seiz Breur avec Jeanne Malivel et Suzanne Candr\u00e9-Creston. Peinture, gravure, fa\u00efence, mobilier et d\u00e9cor int\u00e9rieur composent un champ de recherche commun : construire un art breton moderne, pr\u00e9sent dans la vie quotidienne. Il joue un r\u00f4le majeur dans l\u2019organisation du groupe apr\u00e8s la disparition de Jeanne Malivel.<\/pee><\/div>\n<figure>\n<div class=\"dz-face dz-original-portrait dz-crop-creston\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/RENE-YVES-CRESTON-2.jpg\" alt=\"Ren\u00e9-Yves Creston \u2014 Droits r\u00e9serv\u00e9s\"><\/div><figcaption class=\"dz-credit\">Portrait de Ren\u00e9-Yves Creston \u00b7 reproduction fournie \u00b7 Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>Ses collaborations avec les artisans, notamment Joseph Savina, relient le dessin \u00e0 la fabrication. \u00c0 partir des ann\u00e9es 1930, ses voyages et ses enqu\u00eates l\u2019orientent \u00e9galement vers l\u2019ethnographie. Son engagement dans les mus\u00e9es de Bretagne prolonge cette attention aux objets, aux costumes et aux gestes. Conservateur \u00e0 Saint-Brieuc, il organise en 1964 une exposition consacr\u00e9e \u00e0 quatre si\u00e8cles de mobilier breton.<\/pee>\n<figure class=\"dz-document-inline\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Creston-Savina-Sebilleau-\u2014-mobilier-\u2014-Rene-Trotel-p206-scaled.jpg\" target=\"_blank\" rel=\"noopener\"><\/p>\n<div style=\"position:relative;aspect-ratio:3\/4;overflow:hidden\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Creston-Savina-Sebilleau-\u2014-mobilier-\u2014-Rene-Trotel-p206-scaled.jpg\" alt=\"Chaise : Ren\u00e9-Yves Creston (dessin), Joseph Savina (ex\u00e9cution) ; bureau du maire de Redon : Gaston S\u00e9billeau, ann\u00e9es 1930. Ren\u00e9 Trotel, p. 206.\" style=\"position:absolute;width:133.333%!important;max-width:none!important;left:-16.667%;top:12.5%;height:auto;max-height:none;transform:rotate(-90deg)\"><\/div>\n<p><\/a><figcaption>Chaise : Ren\u00e9-Yves Creston (dessin), Joseph Savina (ex\u00e9cution) ; bureau du maire de Redon : Gaston S\u00e9billeau, ann\u00e9es 1930. Ren\u00e9 Trotel, p. 206. Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<pee><\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1898 \u2014 Naissance \u00e0 Saint-Nazaire.<\/li>\n<li>1923 \u2014 Cofondation des Seiz Breur.<\/li>\n<li>1925 \u2014 Exposition des arts d\u00e9coratifs de Paris.<\/li>\n<li>1939 \u2014 Formation et qualification en ethnologie.<\/li>\n<li>1964 \u2014 Exposition Quatre si\u00e8cles de mobilier breton et d\u00e9c\u00e8s.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/bcd.bzh\/becedia\/fr\/rene-yves-creston-1898-1964\" target=\"_blank\" rel=\"noopener\">Saphyr Creston \u00b7 B\u00e9c\u00e9dia \u2197<\/a><\/pee>\n<h3><span class=\"dz-library-fr notranslate\">BIBLIOGRAPHIE<\/span><span class=\"dz-library-en notranslate\">LIBRARY<\/span><\/h3>\n<ul>\n<li>Daniel Le Cou\u00e9dic et Jean-Yves Veillard (dir.), <em>Ar Seiz Breur 1923\u20131947. La cr\u00e9ation bretonne entre tradition et modernit\u00e9<\/em>, Terre de Brume \/ Mus\u00e9e de Bretagne, Rennes, 2000.<\/li>\n<li>Ren\u00e9 Trotel, <em>Le Mobilier Breton. Histoire et splendeurs d\u2019un artisanat r\u00e9gional<\/em>, Coop Breizh, pr\u00e9face de Laurence Prod\u2019homme.<\/li>\n<li>Fa\u00f1ch Postic et Jean-Fran\u00e7ois Simon (dir.), <em>Ren\u00e9-Yves Creston (1898\u20131964) : un artiste breton en qu\u00eate d\u2019alt\u00e9rit\u00e9<\/em>, CRBC, 2017.<\/li>\n<\/ul>\n<div class=\"dz-library-grid\">\n<figure class=\"dz-library-book\" data-book=\"3\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/004-ar-seiz-breur-j-r-rotte-1923-1947.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/004-ar-seiz-breur-j-r-rotte-1923-1947.jpg\" alt=\"Couverture : Ar Seiz Breur. Recherches et r\u00e9alisations pour un art breton moderne, 1923\u20131947\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Ar Seiz Breur. Recherches et r\u00e9alisations pour un art breton moderne, 1923\u20131947<\/h4>\n<pee>Jean-Ren\u00e9 Rott\u00e9<!\u2013- [et_pb_br_holder] -\u2013>Breizh Hor Bro, Elven \u00b7 1987 \u00b7 203 p.<\/pee><pee>Histoire du mouvement et de ses recherches dans les arts appliqu\u00e9s.<\/pee><a href=\"https:\/\/mucem.org\/notice\/b\/oai%3APMB%3A69902\/\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<figure class=\"dz-library-book\" data-book=\"5\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/006-seiz-breur-pascal-aumasson-1923-1947.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/006-seiz-breur-pascal-aumasson-1923-1947.jpg\" alt=\"Couverture : Seiz Breur. Pour un art moderne en Bretagne, 1923\u20131947\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Seiz Breur. Pour un art moderne en Bretagne, 1923\u20131947<\/h4>\n<pee>Pascal Aumasson<!\u2013- [et_pb_br_holder] -\u2013>Locus Solus \u00b7 2017 \u00b7 Nouvelle \u00e9dition en 2023<\/pee><pee>\u00c9tude illustr\u00e9e des artistes, des disciplines et des r\u00e9alisations du mouvement.<\/pee><a href=\"https:\/\/www.locus-solus.fr\/auteurs\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<figure class=\"dz-library-book\" data-book=\"7\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/008-quimper-cornouaille-annees-1920-1930.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/008-quimper-cornouaille-annees-1920-1930.jpg\" alt=\"Couverture : Quimper Cornouaille. Ann\u00e9es 1920\/1930\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Quimper Cornouaille. Ann\u00e9es 1920\/1930<\/h4>\n<pee>Philippe Le Stum (dir.)<!\u2013- [et_pb_br_holder] -\u2013>Palantines, Quimper \u00b7 2010 \u00b7 173 p.<\/pee><pee>Catalogue consacr\u00e9 \u00e0 l\u2019Art d\u00e9co en Cornouaille : mobilier, c\u00e9ramique et arts plastiques.<\/pee><a href=\"https:\/\/archives.quimper.bzh\/ark%3A\/naan\/a011725607910OV9dDX\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<\/div>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"suzanne-creston\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>SUZANNE CANDR\u00c9-CRESTON<\/h2>\n<pee class=\"dz-date\">1899\u20131979 \u00b7 Arts d\u00e9coratifs \u00b7 cofondatrice<\/pee><pee>N\u00e9e \u00e0 Paris, Suzanne Candr\u00e9-Creston participe \u00e0 la fondation des Seiz Breur en 1923. Son travail porte particuli\u00e8rement sur les \u00e9toffes imprim\u00e9es, les fa\u00efences et les projets graphiques. Pour l\u2019exposition parisienne de 1925, elle con\u00e7oit des motifs textiles et des d\u00e9cors de c\u00e9ramique ex\u00e9cut\u00e9s par Henriot.<\/pee><\/div>\n<figure>\n<div class=\"dz-face\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Suzanne-Candre-Creston-\u2014-portrait-\u2014-Droits-reserves.jpg\" alt=\"Suzanne Candr\u00e9-Creston \u2014 Droits r\u00e9serv\u00e9s\"><\/div><figcaption class=\"dz-credit\">Portrait par Ren\u00e9-Yves Creston, 1919 \u00b7 Mus\u00e9e des Beaux-Arts de Brest m\u00e9tropole \u00b7 Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>Ses recherches associent g\u00e9om\u00e9trie, r\u00e9p\u00e9tition et contrastes color\u00e9s. Dans certains projets de pots de cuisine, les lettres deviennent elles-m\u00eames un motif d\u00e9coratif. Ses esquisses t\u00e9moignent d\u2019une volont\u00e9 de faire circuler les formes modernes dans les objets ordinaires. Ce parcours rappelle la place essentielle des arts appliqu\u00e9s et des cr\u00e9atrices dans un mouvement souvent racont\u00e9 \u00e0 travers le seul mobilier.<\/pee><\/div>\n<figure class=\"dz-document-inline\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Suzanne-Candre-Creston-\u2014-projets-graphiques-des-annees-1930-\u2014-Droits-reserves.jpg\" alt=\"Suzanne Candr\u00e9-Creston, projets graphiques des ann\u00e9es 1930\" loading=\"lazy\"><figcaption>Projets graphiques des ann\u00e9es 1930 \u00b7 Collection particuli\u00e8re \u00b7 Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1899 \u2014 Naissance \u00e0 Paris.<\/li>\n<li>1923 \u2014 Cofondation des Seiz Breur.<\/li>\n<li>1925 \u2014 Projets textiles et c\u00e9ramiques pour l\u2019exposition de Paris.<\/li>\n<li>1945 \u2014 Fin de son activit\u00e9 de cr\u00e9ation.<\/li>\n<li>1979 \u2014 D\u00e9c\u00e8s.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/bcd.bzh\/becedia\/fr\/suzanne-candre-creston-l-audace-dans-les-arts-decoratifs\" target=\"_blank\" rel=\"noopener\">Pascal Aumasson \u00b7 B\u00e9c\u00e9dia \u2197<\/a><\/pee>\n<h3><span class=\"dz-library-fr notranslate\">BIBLIOGRAPHIE<\/span><span class=\"dz-library-en notranslate\">LIBRARY<\/span><\/h3>\n<ul>\n<li>Daniel Le Cou\u00e9dic et Jean-Yves Veillard (dir.), <em>Ar Seiz Breur 1923\u20131947. La cr\u00e9ation bretonne entre tradition et modernit\u00e9<\/em>, Terre de Brume \/ Mus\u00e9e de Bretagne, Rennes, 2000.<\/li>\n<li>Ren\u00e9 Trotel, <em>Le Mobilier Breton. Histoire et splendeurs d\u2019un artisanat r\u00e9gional<\/em>, Coop Breizh, pr\u00e9face de Laurence Prod\u2019homme.<\/li>\n<li>Pascal Aumasson, <em>Suzanne Candr\u00e9-Creston, \u00e0 la source des Seiz Breur<\/em>, Locus Solus, 2023.<\/li>\n<li>Pascal Aumasson, <em>Seiz Breur. Pour un art moderne en Bretagne<\/em>, Locus Solus, 2023.<\/li>\n<\/ul>\n<div class=\"dz-library-grid\">\n<figure class=\"dz-library-book\" data-book=\"3\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/004-ar-seiz-breur-j-r-rotte-1923-1947.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/004-ar-seiz-breur-j-r-rotte-1923-1947.jpg\" alt=\"Couverture : Ar Seiz Breur. Recherches et r\u00e9alisations pour un art breton moderne, 1923\u20131947\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Ar Seiz Breur. Recherches et r\u00e9alisations pour un art breton moderne, 1923\u20131947<\/h4>\n<pee>Jean-Ren\u00e9 Rott\u00e9<!\u2013- [et_pb_br_holder] -\u2013>Breizh Hor Bro, Elven \u00b7 1987 \u00b7 203 p.<\/pee><pee>Histoire du mouvement et de ses recherches dans les arts appliqu\u00e9s.<\/pee><a href=\"https:\/\/mucem.org\/notice\/b\/oai%3APMB%3A69902\/\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<figure class=\"dz-library-book\" data-book=\"5\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/006-seiz-breur-pascal-aumasson-1923-1947.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/006-seiz-breur-pascal-aumasson-1923-1947.jpg\" alt=\"Couverture : Seiz Breur. Pour un art moderne en Bretagne, 1923\u20131947\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Seiz Breur. Pour un art moderne en Bretagne, 1923\u20131947<\/h4>\n<pee>Pascal Aumasson<!\u2013- [et_pb_br_holder] -\u2013>Locus Solus \u00b7 2017 \u00b7 Nouvelle \u00e9dition en 2023<\/pee><pee>\u00c9tude illustr\u00e9e des artistes, des disciplines et des r\u00e9alisations du mouvement.<\/pee><a href=\"https:\/\/www.locus-solus.fr\/auteurs\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<\/div>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"xavier-de-langlais\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>XAVIER DE LANGLAIS<\/h2>\n<pee class=\"dz-date\">1906\u20131975 \u00b7 Peintre, graveur et \u00e9crivain<\/pee><pee>N\u00e9 \u00e0 Sarzeau, Xavier de Langlais se forme aux beaux-arts \u00e0 Nantes puis \u00e0 Paris. Peintre, graveur et \u00e9crivain, il contribue au renouveau artistique breton et participe aux Seiz Breur. Avec James Bouill\u00e9, il s\u2019engage dans l\u2019Atelier breton d\u2019art chr\u00e9tien, o\u00f9 architecture, peinture et d\u00e9cor sont pens\u00e9s ensemble.<\/pee><\/div>\n<figure>\n<div class=\"dz-face dz-original-portrait dz-crop-xavier\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/DE-LANGLAIS-XAVIER-1.jpg\" alt=\"Xavier de Langlais \u2014 Droits r\u00e9serv\u00e9s\"><\/div><figcaption class=\"dz-credit\">Portrait de Xavier de Langlais \u00b7 reproduction fournie \u00b7 Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>Son \u0153uvre traverse les supports : illustration, gravure, peinture murale et livres. Enseignant aux beaux-arts de Rennes \u00e0 partir de 1948, il poursuit \u00e9galement une r\u00e9flexion sur les techniques picturales. Ses \u00e9crits en fran\u00e7ais et en breton, dont son cycle arthurien, prolongent son ambition de relier cr\u00e9ation contemporaine et culture bretonne. Il incarne ainsi une autre dimension de l\u2019art total, \u00e0 la rencontre du texte et de l\u2019image.<\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1906 \u2014 Naissance \u00e0 Sarzeau.<\/li>\n<li>1922 \u2014 \u00c9tudes aux Beaux-Arts de Nantes.<\/li>\n<li>1929 \u2014 Fondation de l\u2019Atelier breton d\u2019art chr\u00e9tien avec James Bouill\u00e9.<\/li>\n<li>1948 \u2014 Enseignement aux Beaux-Arts de Rennes.<\/li>\n<li>1975 \u2014 D\u00e9c\u00e8s \u00e0 Rennes.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/www.delanglais.fr\/Xavier%20de%20langlais\/html\/Biographie.htm\" target=\"_blank\" rel=\"noopener\">Archives Ga\u00ebtan de Langlais \u00b7 biographie \u2197<\/a><\/pee>\n<h3><span class=\"dz-library-fr notranslate\">BIBLIOGRAPHIE<\/span><span class=\"dz-library-en notranslate\">LIBRARY<\/span><\/h3>\n<ul>\n<li>Daniel Le Cou\u00e9dic et Jean-Yves Veillard (dir.), <em>Ar Seiz Breur 1923\u20131947. La cr\u00e9ation bretonne entre tradition et modernit\u00e9<\/em>, Terre de Brume \/ Mus\u00e9e de Bretagne, Rennes, 2000.<\/li>\n<li>Ren\u00e9 Trotel, <em>Le Mobilier Breton. Histoire et splendeurs d\u2019un artisanat r\u00e9gional<\/em>, Coop Breizh, pr\u00e9face de Laurence Prod\u2019homme.<\/li>\n<li>Denise Delouche (dir.), <em>Xavier de Langlais et la Bretagne<\/em>, Coop Breizh, 1999.<\/li>\n<li>Pascal Aumasson, <em>Seiz Breur. Pour un art moderne en Bretagne<\/em>, Locus Solus, 2023.<\/li>\n<\/ul>\n<div class=\"dz-library-grid\">\n<figure class=\"dz-library-book\" data-book=\"6\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/007-xavier-de-langlais-et-la-bretagne.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/007-xavier-de-langlais-et-la-bretagne.jpg\" alt=\"Couverture : Xavier de Langlais et la Bretagne\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Xavier de Langlais et la Bretagne<\/h4>\n<pee>Denise Delouche (dir.)<!\u2013- [et_pb_br_holder] -\u2013>Coop Breizh, Sp\u00e9zet \u00b7 1999<\/pee><pee>Ouvrage collectif sur l\u2019\u0153uvre de Xavier de Langlais et son ancrage breton.<\/pee><a href=\"https:\/\/broceliande.brecilien.org\/Langlais-Xavier-de\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<figure class=\"dz-library-book\" data-book=\"3\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/004-ar-seiz-breur-j-r-rotte-1923-1947.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/004-ar-seiz-breur-j-r-rotte-1923-1947.jpg\" alt=\"Couverture : Ar Seiz Breur. Recherches et r\u00e9alisations pour un art breton moderne, 1923\u20131947\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Ar Seiz Breur. Recherches et r\u00e9alisations pour un art breton moderne, 1923\u20131947<\/h4>\n<pee>Jean-Ren\u00e9 Rott\u00e9<!\u2013- [et_pb_br_holder] -\u2013>Breizh Hor Bro, Elven \u00b7 1987 \u00b7 203 p.<\/pee><pee>Histoire du mouvement et de ses recherches dans les arts appliqu\u00e9s.<\/pee><a href=\"https:\/\/mucem.org\/notice\/b\/oai%3APMB%3A69902\/\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<figure class=\"dz-library-book\" data-book=\"5\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/006-seiz-breur-pascal-aumasson-1923-1947.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/006-seiz-breur-pascal-aumasson-1923-1947.jpg\" alt=\"Couverture : Seiz Breur. Pour un art moderne en Bretagne, 1923\u20131947\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Seiz Breur. Pour un art moderne en Bretagne, 1923\u20131947<\/h4>\n<pee>Pascal Aumasson<!\u2013- [et_pb_br_holder] -\u2013>Locus Solus \u00b7 2017 \u00b7 Nouvelle \u00e9dition en 2023<\/pee><pee>\u00c9tude illustr\u00e9e des artistes, des disciplines et des r\u00e9alisations du mouvement.<\/pee><a href=\"https:\/\/www.locus-solus.fr\/auteurs\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<\/div>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"robert-micheau-vernez\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>ROBERT MICHEAU-VERNEZ<\/h2>\n<pee class=\"dz-date\">1907\u20131989 \u00b7 Peintre et artiste pluridisciplinaire \u00b7 mobilier<\/pee><pee>N\u00e9 \u00e0 Brest, Robert Micheau-Vernez d\u00e9veloppe une \u0153uvre o\u00f9 la couleur occupe une place centrale. Sa pratique associe peinture, illustration, c\u00e9ramique et arts d\u00e9coratifs. Ses collaborations avec Henriot rendent particuli\u00e8rement visible son travail de figures et de groupes model\u00e9s.<\/pee><\/div>\n<figure>\n<div class=\"dz-face dz-original-portrait dz-crop-micheau\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/MICHEAU-VERNEZ-scaled.jpg\" alt=\"Robert Micheau-Vernez \u2014 Droits r\u00e9serv\u00e9s\"><\/div><figcaption class=\"dz-credit\">Portrait de Robert Micheau-Vernez \u00b7 reproduction fournie \u00b7 Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>Le mobilier constitue un autre volet de cette \u0153uvre. Un ensemble de chambre con\u00e7u en 1932, conserv\u00e9 au Mus\u00e9e d\u00e9partemental breton, comprend notamment armoires, lit, chevets, coffre et fauteuils. Le d\u00e9cor sculpt\u00e9 en bas-relief fait dialoguer les surfaces et les volumes. Trotel pr\u00e9cise que ce mobilier en ch\u00eane, r\u00e9alis\u00e9 en 1932, porte des motifs tir\u00e9s du r\u00e9pertoire n\u00e9o-celtique (p. 213).<\/pee>\n<figure class=\"dz-document-inline\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Jorj-Rual-et-Robert-Micheau-Vernez-\u2014-Rene-Trotel-p212-213-scaled.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Jorj-Rual-et-Robert-Micheau-Vernez-\u2014-Rene-Trotel-p212-213-scaled.jpg\" alt=\"Jorj Rual, lambris de la cr\u00eaperie Ar Pillig ; Robert Micheau-Vernez, chambre \u00e0 coucher, 1932, Mus\u00e9e d\u00e9partemental breton. Ren\u00e9 Trotel, p. 212\u2013213.\" style=\"transform:rotate(180deg)\"><\/a><figcaption>Jorj Rual, lambris de la cr\u00eaperie Ar Pillig ; Robert Micheau-Vernez, chambre \u00e0 coucher, 1932, Mus\u00e9e d\u00e9partemental breton. Ren\u00e9 Trotel, p. 212\u2013213. Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<pee> Cet ensemble invite \u00e0 d\u00e9passer l\u2019image du seul c\u00e9ramiste pour \u00e9tudier la mani\u00e8re dont un artiste organise un int\u00e9rieur et articule plusieurs m\u00e9tiers.<\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1907 \u2014 Naissance \u00e0 Brest.<\/li>\n<li>1926\u20131928 \u2014 Formation artistique \u00e0 Brest.<\/li>\n<li>1932 \u2014 Adoption de la signature Micheau-Vernez.<\/li>\n<li>1989 \u2014 D\u00e9c\u00e8s au Croisic.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/www.micheau-vernez.fr\/\" target=\"_blank\" rel=\"noopener\">Archives Micheau-Vernez \u00b7 site officiel \u2197<\/a> \u00b7 <a href=\"https:\/\/societe-archeologique.du-finistere.org\/telechargement\/telecharger_bulletin.php?fic=saf2007\" target=\"_blank\" rel=\"noopener\">Soci\u00e9t\u00e9 arch\u00e9ologique du Finist\u00e8re \u00b7 acquisitions du mus\u00e9e, 2007 \u2197<\/a><\/pee>\n<h3><span class=\"dz-library-fr notranslate\">BIBLIOGRAPHIE<\/span><span class=\"dz-library-en notranslate\">LIBRARY<\/span><\/h3>\n<ul>\n<li>Daniel Le Cou\u00e9dic et Jean-Yves Veillard (dir.), <em>Ar Seiz Breur 1923\u20131947. La cr\u00e9ation bretonne entre tradition et modernit\u00e9<\/em>, Terre de Brume \/ Mus\u00e9e de Bretagne, Rennes, 2000.<\/li>\n<li>Ren\u00e9 Trotel, <em>Le Mobilier Breton. Histoire et splendeurs d\u2019un artisanat r\u00e9gional<\/em>, Coop Breizh, pr\u00e9face de Laurence Prod\u2019homme.<\/li>\n<li><em>Bulletin de la Soci\u00e9t\u00e9 arch\u00e9ologique du Finist\u00e8re<\/em>, 2007, acquisitions du Mus\u00e9e d\u00e9partemental breton.<\/li>\n<li>Pascal Aumasson, <em>Seiz Breur. Pour un art moderne en Bretagne<\/em>, Locus Solus, 2023.<\/li>\n<\/ul>\n<div class=\"dz-library-grid\">\n<figure class=\"dz-library-book\" data-book=\"7\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/008-quimper-cornouaille-annees-1920-1930.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/008-quimper-cornouaille-annees-1920-1930.jpg\" alt=\"Couverture : Quimper Cornouaille. Ann\u00e9es 1920\/1930\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Quimper Cornouaille. Ann\u00e9es 1920\/1930<\/h4>\n<pee>Philippe Le Stum (dir.)<!\u2013- [et_pb_br_holder] -\u2013>Palantines, Quimper \u00b7 2010 \u00b7 173 p.<\/pee><pee>Catalogue consacr\u00e9 \u00e0 l\u2019Art d\u00e9co en Cornouaille : mobilier, c\u00e9ramique et arts plastiques.<\/pee><a href=\"https:\/\/archives.quimper.bzh\/ark%3A\/naan\/a011725607910OV9dDX\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<figure class=\"dz-library-book\" data-book=\"5\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/006-seiz-breur-pascal-aumasson-1923-1947.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/006-seiz-breur-pascal-aumasson-1923-1947.jpg\" alt=\"Couverture : Seiz Breur. Pour un art moderne en Bretagne, 1923\u20131947\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Seiz Breur. Pour un art moderne en Bretagne, 1923\u20131947<\/h4>\n<pee>Pascal Aumasson<!\u2013- [et_pb_br_holder] -\u2013>Locus Solus \u00b7 2017 \u00b7 Nouvelle \u00e9dition en 2023<\/pee><pee>\u00c9tude illustr\u00e9e des artistes, des disciplines et des r\u00e9alisations du mouvement.<\/pee><a href=\"https:\/\/www.locus-solus.fr\/auteurs\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<\/div>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"gaston-sebilleau\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>GASTON S\u00c9BILLEAU<\/h2>\n<pee class=\"dz-date\">1894\u20131957 \u00b7 Sculpteur et \u00e9b\u00e9niste \u00b7 Redon<\/pee><pee>Form\u00e9 \u00e0 la sculpture, Gaston S\u00e9billeau devient une figure majeure de l\u2019artisanat d\u2019art \u00e0 Redon. Bless\u00e9 pendant la Premi\u00e8re Guerre mondiale, il poursuit son activit\u00e9 dans le travail du bois et d\u00e9veloppe un atelier d\u2019\u00e9b\u00e9nisterie. Il participe aux premi\u00e8res ann\u00e9es de l\u2019aventure des Seiz Breur.<\/pee><\/div>\n<figure>\n<div class=\"dz-face dz-original-portrait dz-crop-sebilleau\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/SEBILLEAU.jpg\" alt=\"Gaston S\u00e9billeau \u2014 Droits r\u00e9serv\u00e9s\"><\/div><figcaption class=\"dz-credit\">Portrait de Gaston S\u00e9billeau \u00b7 reproduction fournie \u00b7 Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>Pour l\u2019exposition de 1925, il r\u00e9alise du mobilier de l\u2019Ost\u00e9 \u00e0 partir des dessins de Jeanne Malivel et de Ren\u00e9-Yves Creston. Son r\u00f4le montre que le renouveau d\u00e9coratif repose autant sur les concepteurs que sur les savoir-faire de fabrication. Ensemblier, il intervient \u00e9galement dans l\u2019am\u00e9nagement d\u2019int\u00e9rieurs, d\u2019h\u00f4tels et de villas. Sa trajectoire relie sculpture, meuble et architecture int\u00e9rieure. Son ameublement en ch\u00eane du bureau du maire de Redon, r\u00e9alis\u00e9 dans les ann\u00e9es 1930, associe le meuble aux armoiries sculpt\u00e9es de la ville (Ren\u00e9 Trotel, p. 206).<\/pee>\n<figure class=\"dz-document-inline\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Creston-Savina-Sebilleau-\u2014-mobilier-\u2014-Rene-Trotel-p206-scaled.jpg\" target=\"_blank\" rel=\"noopener\"><\/p>\n<div style=\"position:relative;aspect-ratio:3\/4;overflow:hidden\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Creston-Savina-Sebilleau-\u2014-mobilier-\u2014-Rene-Trotel-p206-scaled.jpg\" alt=\"Chaise : Ren\u00e9-Yves Creston (dessin), Joseph Savina (ex\u00e9cution) ; bureau du maire de Redon : Gaston S\u00e9billeau, ann\u00e9es 1930. Ren\u00e9 Trotel, p. 206.\" style=\"position:absolute;width:133.333%!important;max-width:none!important;left:-16.667%;top:12.5%;height:auto;max-height:none;transform:rotate(-90deg)\"><\/div>\n<p><\/a><figcaption>Chaise : Ren\u00e9-Yves Creston (dessin), Joseph Savina (ex\u00e9cution) ; bureau du maire de Redon : Gaston S\u00e9billeau, ann\u00e9es 1930. Ren\u00e9 Trotel, p. 206. Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<pee><\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1894 \u2014 Naissance \u00e0 Saint-Brieuc.<\/li>\n<li>1925 \u2014 Ex\u00e9cution des meubles de l\u2019Ost\u00e9.<\/li>\n<li>1937 \u2014 Travail pour le pavillon de la Bretagne.<\/li>\n<li>1957 \u2014 D\u00e9c\u00e8s.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/bcd.bzh\/becedia\/fr\/gaston-sebilleau-l-artisan\" target=\"_blank\" rel=\"noopener\">Hubert Ch\u00e9mereau \u00b7 B\u00e9c\u00e9dia \u2197<\/a><\/pee>\n<h3><span class=\"dz-library-fr notranslate\">BIBLIOGRAPHIE<\/span><span class=\"dz-library-en notranslate\">LIBRARY<\/span><\/h3>\n<ul>\n<li>Daniel Le Cou\u00e9dic et Jean-Yves Veillard (dir.), <em>Ar Seiz Breur 1923\u20131947. La cr\u00e9ation bretonne entre tradition et modernit\u00e9<\/em>, Terre de Brume \/ Mus\u00e9e de Bretagne, Rennes, 2000.<\/li>\n<li>Ren\u00e9 Trotel, <em>Le Mobilier Breton. Histoire et splendeurs d\u2019un artisanat r\u00e9gional<\/em>, Coop Breizh, pr\u00e9face de Laurence Prod\u2019homme.<\/li>\n<li>Pascal Aumasson, <em>Seiz Breur. Pour un art moderne en Bretagne<\/em>, Locus Solus, 2023.<\/li>\n<\/ul>\n<div class=\"dz-library-grid\">\n<figure class=\"dz-library-book\" data-book=\"3\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/004-ar-seiz-breur-j-r-rotte-1923-1947.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/004-ar-seiz-breur-j-r-rotte-1923-1947.jpg\" alt=\"Couverture : Ar Seiz Breur. Recherches et r\u00e9alisations pour un art breton moderne, 1923\u20131947\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Ar Seiz Breur. Recherches et r\u00e9alisations pour un art breton moderne, 1923\u20131947<\/h4>\n<pee>Jean-Ren\u00e9 Rott\u00e9<!\u2013- [et_pb_br_holder] -\u2013>Breizh Hor Bro, Elven \u00b7 1987 \u00b7 203 p.<\/pee><pee>Histoire du mouvement et de ses recherches dans les arts appliqu\u00e9s.<\/pee><a href=\"https:\/\/mucem.org\/notice\/b\/oai%3APMB%3A69902\/\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<figure class=\"dz-library-book\" data-book=\"5\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/006-seiz-breur-pascal-aumasson-1923-1947.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/006-seiz-breur-pascal-aumasson-1923-1947.jpg\" alt=\"Couverture : Seiz Breur. Pour un art moderne en Bretagne, 1923\u20131947\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Seiz Breur. Pour un art moderne en Bretagne, 1923\u20131947<\/h4>\n<pee>Pascal Aumasson<!\u2013- [et_pb_br_holder] -\u2013>Locus Solus \u00b7 2017 \u00b7 Nouvelle \u00e9dition en 2023<\/pee><pee>\u00c9tude illustr\u00e9e des artistes, des disciplines et des r\u00e9alisations du mouvement.<\/pee><a href=\"https:\/\/www.locus-solus.fr\/auteurs\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<\/div>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"james-bouille\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>JAMES BOUILL\u00c9<\/h2>\n<pee class=\"dz-date\">1894\u20131945 \u00b7 Architecte \u00b7 mobilier et am\u00e9nagement<\/pee><pee>James Bouill\u00e9 participe au renouvellement de l\u2019architecture et des arts d\u00e9coratifs bretons. Avec Xavier de Langlais, il anime l\u2019Atelier breton d\u2019art chr\u00e9tien, qui r\u00e9unit plusieurs m\u00e9tiers autour d\u2019une conception commune de l\u2019espace. Le b\u00e2timent, le mobilier et les d\u00e9cors y forment un ensemble.<\/pee><\/div>\n<figure>\n<div class=\"dz-monogram\" aria-label=\"Portrait en attente\">JB<\/div><figcaption class=\"dz-credit\">Monogramme provisoire \u00b7 portrait en attente.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>La chapelle Saint-Joseph \u00e0 Lannion, construite dans les ann\u00e9es 1930, en offre un exemple particuli\u00e8rement lisible. Architecture, vitraux, sculpture, ferronnerie et \u00e9b\u00e9nisterie sont coordonn\u00e9s dans un m\u00eame projet, ex\u00e9cut\u00e9 avec des artisans sp\u00e9cialis\u00e9s. Le r\u00f4le de Bouill\u00e9 dans le mobilier doit donc \u00eatre abord\u00e9 comme celui d\u2019un architecte-concepteur d\u2019int\u00e9rieurs et d\u2019\u00e9l\u00e9ments liturgiques, plut\u00f4t que comme celui d\u2019un fabricant de meubles.<\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1894 \u2014 Naissance.<\/li>\n<li>1928 \u2014 Entr\u00e9e dans les Seiz Breur.<\/li>\n<li>1929 \u2014 Fondation de l\u2019Atelier breton d\u2019art chr\u00e9tien.<\/li>\n<li>1936\u20131937 \u2014 Chapelle Saint-Joseph \u00e0 Lannion : architecture et am\u00e9nagement int\u00e9rieur.<\/li>\n<li>1945 \u2014 D\u00e9c\u00e8s.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/bcd.bzh\/becedia\/fr\/la-chapelle-saint-joseph-une-creation-bretonne-moderne\" target=\"_blank\" rel=\"noopener\">Jean-Jacques Monnier \u00b7 B\u00e9c\u00e9dia, chapelle Saint-Joseph \u2197<\/a><\/pee>\n<h3><span class=\"dz-library-fr notranslate\">BIBLIOGRAPHIE<\/span><span class=\"dz-library-en notranslate\">LIBRARY<\/span><\/h3>\n<ul>\n<li>Daniel Le Cou\u00e9dic et Jean-Yves Veillard (dir.), <em>Ar Seiz Breur 1923\u20131947. La cr\u00e9ation bretonne entre tradition et modernit\u00e9<\/em>, Terre de Brume \/ Mus\u00e9e de Bretagne, Rennes, 2000.<\/li>\n<li>Ren\u00e9 Trotel, <em>Le Mobilier Breton. Histoire et splendeurs d\u2019un artisanat r\u00e9gional<\/em>, Coop Breizh, pr\u00e9face de Laurence Prod\u2019homme.<\/li>\n<li>Jean-Jacques Monnier, \u00ab La chapelle Saint-Joseph, une cr\u00e9ation bretonne moderne \u00bb, B\u00e9c\u00e9dia, 2016.<\/li>\n<li>Pascal Aumasson, <em>Seiz Breur. Pour un art moderne en Bretagne<\/em>, Locus Solus, 2023.<\/li>\n<\/ul>\n<div class=\"dz-library-grid\">\n<figure class=\"dz-library-book\" data-book=\"2\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/003-james-bouille-architecte-breton-j-r-rotte.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/003-james-bouille-architecte-breton-j-r-rotte.jpg\" alt=\"Couverture : James Bouill\u00e9, architecte breton\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>James Bouill\u00e9, architecte breton<\/h4>\n<pee>Jean-Ren\u00e9 Rott\u00e9<!\u2013- [et_pb_br_holder] -\u2013>Anagrammes<\/pee><pee>Monographie consacr\u00e9e au parcours architectural de James Bouill\u00e9.<\/pee><a href=\"https:\/\/arssat.info\/wordpress\/wp-content\/uploads\/tainacan-items\/28931\/29158\/Les-chemins-de-croix-de-Xavier-Langlais-F.-Urien.pdf\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<figure class=\"dz-library-book\" data-book=\"3\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/004-ar-seiz-breur-j-r-rotte-1923-1947.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/004-ar-seiz-breur-j-r-rotte-1923-1947.jpg\" alt=\"Couverture : Ar Seiz Breur. Recherches et r\u00e9alisations pour un art breton moderne, 1923\u20131947\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Ar Seiz Breur. Recherches et r\u00e9alisations pour un art breton moderne, 1923\u20131947<\/h4>\n<pee>Jean-Ren\u00e9 Rott\u00e9<!\u2013- [et_pb_br_holder] -\u2013>Breizh Hor Bro, Elven \u00b7 1987 \u00b7 203 p.<\/pee><pee>Histoire du mouvement et de ses recherches dans les arts appliqu\u00e9s.<\/pee><a href=\"https:\/\/mucem.org\/notice\/b\/oai%3APMB%3A69902\/\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<figure class=\"dz-library-book\" data-book=\"5\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/006-seiz-breur-pascal-aumasson-1923-1947.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/006-seiz-breur-pascal-aumasson-1923-1947.jpg\" alt=\"Couverture : Seiz Breur. Pour un art moderne en Bretagne, 1923\u20131947\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Seiz Breur. Pour un art moderne en Bretagne, 1923\u20131947<\/h4>\n<pee>Pascal Aumasson<!\u2013- [et_pb_br_holder] -\u2013>Locus Solus \u00b7 2017 \u00b7 Nouvelle \u00e9dition en 2023<\/pee><pee>\u00c9tude illustr\u00e9e des artistes, des disciplines et des r\u00e9alisations du mouvement.<\/pee><a href=\"https:\/\/www.locus-solus.fr\/auteurs\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<\/div>\n<\/section>\n<\/section>\n<p><a class=\"dz-back\" href=\"\/recherche\/ar-seiz-breur\/\">\u2190 RETOUR AU DOSSIER AR SEIZ BREUR<\/a><\/div>\n<p><\/main>[\/et_pb_code][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":3363,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3601","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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