{"id":3601,"date":"2026-10-02T10:10:03","date_gmt":"2026-10-02T08:10:03","guid":{"rendered":"https:\/\/dizagn.fr\/recherche\/ar-seiz-breur\/artistes-et-ateliers\/"},"modified":"2026-10-02T11:35:38","modified_gmt":"2026-10-02T09:35:38","slug":"artistes-et-ateliers","status":"publish","type":"page","link":"https:\/\/dizagn.fr\/en\/recherche\/ar-seiz-breur\/artistes-et-ateliers\/","title":{"rendered":"Ar Seiz Breur \u2014 Artistes et ateliers"},"content":{"rendered":"<p>[et_pb_section fullwidth=\u00a0\u00bboff\u00a0\u00bb specialty=\u00a0\u00bboff\u00a0\u00bb background_color=\u00a0\u00bb#f5f1e8&Prime; custom_padding=\u00a0\u00bb0px|0px|0px|0px\u00a0\u00bb][et_pb_row custom_padding=\u00a0\u00bb0px|0px|0px|0px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_code admin_label=\u00a0\u00bbDIZAGN \u2014 biographies\u00a0\u00bb]<\/p>\n<style>.dz-editorial{color:#171714;font-family:Montserrat,Arial,sans-serif;background:#f5f1e8}.dz-editorial *{box-sizing:border-box}.dz-editorial .dz-shell{max-width:1240px;margin:auto;padding:68px 5% 86px}.dz-editorial a{color:inherit}.dz-editorial a:focus-visible{outline:2px solid #171714;outline-offset:6px}.dz-editorial h1,.dz-editorial h2,.dz-editorial h3{color:inherit;line-height:1.06;font-weight:500;padding:0;letter-spacing:-.045em}.dz-editorial h1{font-size:clamp(42px,6.8vw,90px)}.dz-editorial h2{font-size:clamp(30px,4vw,52px)}.dz-editorial h3{font-size:25px}.dz-editorial p{padding:0;margin:0 0 18px;line-height:1.75}.dz-editorial .dz-eyebrow{font-size:11px;letter-spacing:.16em;text-transform:uppercase;margin-bottom:24px}.dz-editorial .dz-intro{display:grid;grid-template-columns:1.3fr 1fr;gap:50px;align-items:end;padding-bottom:48px;border-bottom:1px solid #171714}.dz-editorial .dz-intro 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.dz-references{max-width:950px}\n@media(max-width:980px){.dz-editorial .dz-bio-head{grid-template-columns:minmax(0,1fr) 340px;gap:32px}.dz-editorial .dz-bio-head .dz-medallion{height:340px}.dz-profile-head{grid-template-columns:minmax(0,1fr) 300px;gap:30px}.dz-directory .dz-profile-head .dz-face,.dz-directory .dz-profile-head .dz-monogram{height:300px}}\n@media(max-width:767px){.dz-editorial .dz-bio-head,.dz-profile-head{grid-template-columns:1fr;gap:28px}.dz-editorial .dz-bio-head>figure{width:min(100%,360px);order:2}.dz-editorial .dz-bio-head .dz-medallion{height:360px}.dz-profile-head figure{width:min(100%,360px)}.dz-directory .dz-profile-head .dz-face,.dz-directory .dz-profile-head .dz-monogram{height:360px}.dz-story-images,.dz-story-images.dz-triple{grid-template-columns:1fr}.dz-story-images{gap:30px}.dz-document-inline{max-width:230px}.dz-references li{font-size:15px}}\n<\/style>\n<p><main class=\"dz-editorial dz-directory\"><\/p>\n<div class=\"dz-shell\">\n<div class=\"dz-eyebrow\"><a href=\"\/recherche\/\">RECHERCHE<\/a> \/ <a href=\"\/recherche\/ar-seiz-breur\/\">AR SEIZ BREUR<\/a><\/div>\n<h1>ARTISTES<!\u2013- [et_pb_br_holder] -\u2013>&amp; ATELIERS<\/h1>\n<pee class=\"dz-lead\">Des parcours qui croisent le mobilier, les arts d\u00e9coratifs et l\u2019architecture. Ce r\u00e9pertoire distingue les membres du mouvement, les cr\u00e9ateurs proches de ses recherches et les ateliers qui en prolongent l\u2019histoire.<\/pee>\n<nav class=\"dz-nav\" aria-label=\"Biographies\"><a href=\"#jacques-philippe\">Jacques Philippe<\/a><a href=\"#valentin-branthome\">Valentin Branth\u00f4me<\/a><a href=\"#andre-branthome\">Andr\u00e9 Branth\u00f4me<\/a><a href=\"#jorj-rual\">Jorj Rual<\/a><a href=\"#jim-sevellec\">Jim-E. S\u00e9vellec<\/a><a href=\"#rene-yves-creston\">Ren\u00e9-Yves Creston<\/a><a href=\"#suzanne-creston\">Suzanne Candr\u00e9-Creston<\/a><a href=\"#xavier-de-langlais\">Xavier de Langlais<\/a><a href=\"#robert-micheau-vernez\">Robert Micheau-Vernez<\/a><a href=\"#gaston-sebilleau\">Gaston S\u00e9billeau<\/a><a href=\"#james-bouille\">James Bouill\u00e9<\/a><\/nav>\n<section class=\"dz-profile\" id=\"jacques-philippe\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>JACQUES PHILIPPE<\/h2>\n<pee class=\"dz-date\">1896\u20131958 \u00b7 Sculpteur-d\u00e9corateur \u00b7 mobilier<\/pee><pee>Install\u00e9 \u00e0 Rennes, Jacques Philippe participe au renouvellement du d\u00e9cor et du mobilier bretons dans les ann\u00e9es 1920. Son atelier d\u2019art celtique propose des ensembles destin\u00e9s aux int\u00e9rieurs : salles \u00e0 manger, studios et bureaux. Le bois sculpt\u00e9 y devient le support d\u2019un langage d\u00e9coratif renouvel\u00e9, adapt\u00e9 \u00e0 des usages contemporains.<\/pee><\/div>\n<figure>\n<div class=\"dz-monogram\" aria-label=\"Portrait en attente\">JP<\/div><figcaption class=\"dz-credit\">Monogramme provisoire \u00b7 portrait en attente.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>Ses r\u00e9alisations comprennent \u00e9galement du mobilier religieux, notamment pour le grand s\u00e9minaire de Saint-Brieuc et la chapelle de Saint-Alexis \u00e0 Noyal. Les t\u00e9moignages de la presse bretonne et de la revue Kornog le situent parmi les pionniers de ce renouveau. Son parcours \u00e9claire le milieu artistique dans lequel se d\u00e9veloppe l\u2019aventure des Seiz Breur, sans confondre proximit\u00e9 esth\u00e9tique et appartenance au groupe.<\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1896 \u2014 Naissance \u00e0 Guingamp.<\/li>\n<li>1925 \u2014 Atelier d\u2019art celtique \u00e9tabli \u00e0 Rennes.<\/li>\n<li>1928 \u2014 Pr\u00e9sence de son travail dans la revue Kornog.<\/li>\n<li>1958 \u2014 D\u00e9c\u00e8s \u00e0 Rennes.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/musee-breton.finistere.fr\/fr\/notice\/2001-26-2-meuble-vestiaire-musee-departemental-breton-f8a923fa-5924-4a1e-adf3-1efa1e38390c\" target=\"_blank\" rel=\"noopener\">Mus\u00e9e d\u00e9partemental breton \u00b7 notice du meuble-vestiaire \u2197<\/a><\/pee>\n<h3>Bibliographie<\/h3>\n<ul>\n<li>Pascal Aumasson, <em>Seiz Breur. Pour un art moderne en Bretagne<\/em>, Locus Solus, 2023.<\/li>\n<\/ul>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"valentin-branthome\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>VALENTIN BRANTH\u00d4ME<\/h2>\n<pee class=\"dz-date\">1897\u20131979 \u00b7 Atelier de Rostrenen \u00b7 mobilier<\/pee><pee>Valentin Branth\u00f4me appartient \u00e0 une famille d\u2019artisans \u00e9tablie \u00e0 Rostrenen. Il faut le distinguer de son p\u00e8re, \u00e9galement pr\u00e9nomm\u00e9 Valentin, n\u00e9 en 1865 et mort en 1926. Les souvenirs familiaux d\u00e9crivent la transmission d\u2019un patrimoine d\u2019atelier et la continuit\u00e9 des \u00e9tablissements Branth\u00f4me dans le centre de la Bretagne.<\/pee><\/div>\n<figure>\n<div class=\"dz-monogram\" aria-label=\"Portrait en attente\">VB<\/div><figcaption class=\"dz-credit\">Monogramme provisoire \u00b7 portrait en attente.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>Le mobilier associ\u00e9 \u00e0 cet atelier prolonge une tradition de travail du bois et de d\u00e9cor r\u00e9gional, tout en r\u00e9pondant aux formes d\u2019habitation du XXe si\u00e8cle. La manufacture de la rue Joseph-Pennec, document\u00e9e par l\u2019Inventaire du patrimoine, t\u00e9moigne de cette activit\u00e9. Cette notice pr\u00e9sente un parcours d\u2019atelier voisin du renouveau breton ; elle ne suppose pas une adh\u00e9sion personnelle aux Seiz Breur.<\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1897 \u2014 Naissance.<\/li>\n<li>XXe si\u00e8cle \u2014 Activit\u00e9 de l\u2019atelier familial \u00e0 Rostrenen.<\/li>\n<li>1979 \u2014 D\u00e9c\u00e8s.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/cghp-poher.net\/uploads\/fichiers_telecharger\/k82\/Kaier%20ar%20Poher%20n82.pdf\" target=\"_blank\" rel=\"noopener\">Kaier ar Poher n\u00b0 82 \u00b7 t\u00e9moignage familial \u2197<\/a> \u00b7 <a href=\"https:\/\/www.patrimoine.bzh\/gertrude-diffusion\/dossier\/IA22008246\" target=\"_blank\" rel=\"noopener\">Inventaire du patrimoine \u00b7 manufacture de Rostrenen \u2197<\/a><\/pee>\n<h3>Bibliographie<\/h3>\n<ul>\n<li><em>Kaier ar Poher<\/em>, n\u00b0 82, t\u00e9moignages sur la famille et l\u2019atelier Branth\u00f4me.<\/li>\n<li>Pascal Aumasson, <em>Seiz Breur. Pour un art moderne en Bretagne<\/em>, Locus Solus, 2023. Rep\u00e8re de contexte.<\/li>\n<\/ul>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"andre-branthome\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>ANDR\u00c9 BRANTH\u00d4ME<\/h2>\n<pee class=\"dz-date\">1926\u20132018 \u00b7 Transmission familiale \u00b7 mobilier<\/pee><pee>Fils de Valentin Branth\u00f4me, Andr\u00e9 Branth\u00f4me repr\u00e9sente une g\u00e9n\u00e9ration plus tardive de l\u2019atelier familial de Rostrenen. Le t\u00e9moignage publi\u00e9 dans Kaier ar Poher le d\u00e9signe comme le futur responsable des \u00e9tablissements Valentin Branth\u00f4me et \u00e9voque la maison construite pour lui par son p\u00e8re en 1953.<\/pee><\/div>\n<figure>\n<div class=\"dz-monogram\" aria-label=\"Portrait en attente\">AB<\/div><figcaption class=\"dz-credit\">Monogramme provisoire \u00b7 portrait en attente.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>Son parcours permet d\u2019aborder la transmission des savoir-faire apr\u00e8s la p\u00e9riode historique des Seiz Breur. Le dossier distingue donc le mouvement artistique, actif entre 1923 et 1947, de la continuit\u00e9 des ateliers qui ont fait vivre le mobilier breton au-del\u00e0 de cette p\u00e9riode. Les attributions d\u2019objets doivent \u00eatre examin\u00e9es pi\u00e8ce par pi\u00e8ce, en tenant compte des signatures, de la provenance et de la chronologie de l\u2019entreprise.<\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1926 \u2014 Naissance.<\/li>\n<li>1953 \u2014 Construction de sa maison \u00e0 Rostrenen, dans le contexte de l\u2019atelier familial.<\/li>\n<li>2018 \u2014 D\u00e9c\u00e8s.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/cghp-poher.net\/uploads\/fichiers_telecharger\/k82\/Kaier%20ar%20Poher%20n82.pdf\" target=\"_blank\" rel=\"noopener\">Kaier ar Poher n\u00b0 82 \u00b7 t\u00e9moignage familial \u2197<\/a><\/pee>\n<h3>Bibliographie<\/h3>\n<ul>\n<li><em>Kaier ar Poher<\/em>, n\u00b0 82, t\u00e9moignages sur la famille et l\u2019atelier Branth\u00f4me.<\/li>\n<li>Pascal Aumasson, <em>Seiz Breur. Pour un art moderne en Bretagne<\/em>, Locus Solus, 2023. Rep\u00e8re de contexte.<\/li>\n<\/ul>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"jorj-rual\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>JORJ RUAL<\/h2>\n<pee class=\"dz-date\">1901\u20131986 \u00b7 \u00c9b\u00e9niste \u00b7 Rennes<\/pee><pee>Jorj Rual, \u00e9galement nomm\u00e9 Georges Rual, est un \u00e9b\u00e9niste rennais dont le parcours associe m\u00e9tier d\u2019atelier et enseignement. Il rejoint les Seiz Breur en 1932 et participe \u00e0 l\u2019Exposition internationale de 1937. Il reprend l\u2019entreprise familiale au milieu des ann\u00e9es 1930.<\/pee><\/div>\n<figure>\n<div class=\"dz-monogram\" aria-label=\"Portrait en attente\">JR<\/div><figcaption class=\"dz-credit\">Monogramme provisoire \u00b7 portrait en attente.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>Sa formation et ses collaborations ouvrent le mobilier r\u00e9gional aux recherches contemporaines sur la structure, les proportions et l\u2019am\u00e9nagement int\u00e9rieur. Son travail s\u2019inscrit dans le r\u00e9seau des artisans et d\u00e9corateurs qui donnent une traduction concr\u00e8te au projet de modernit\u00e9 bretonne. Les catalogues de mobilier documentent ses pi\u00e8ces et leurs attributions ; ils constituent des rep\u00e8res \u00e0 confronter aux \u0153uvres et aux archives.<\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1901 \u2014 Naissance.<\/li>\n<li>1932 \u2014 Entr\u00e9e dans les Seiz Breur.<\/li>\n<li>1937 \u2014 Participation au contexte de l\u2019Exposition internationale de Paris.<\/li>\n<li>1986 \u2014 D\u00e9c\u00e8s.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/karl-benz.com\/fr\/lot-80-19552-91_attribue_jorj_rual_rennes_1901_1986im\" target=\"_blank\" rel=\"noopener\">Karl Benz \u00b7 notice d\u2019un mobilier attribu\u00e9 \u00e0 Jorj Rual \u2197<\/a> \u00b7 <a href=\"https:\/\/www.keraluc.com\/IMG\/pdf\/amebretonne2023.pdf\" target=\"_blank\" rel=\"noopener\">Adjug\u2019art \u00b7 L\u2019\u00e2me bretonne, 2023 \u2197<\/a><\/pee>\n<h3>Bibliographie<\/h3>\n<ul>\n<li><em>L\u2019\u00c2me bretonne<\/em>, catalogue de vente Adjug\u2019art, 2023.<\/li>\n<li>Pascal Aumasson, <em>Seiz Breur. Pour un art moderne en Bretagne<\/em>, Locus Solus, 2023.<\/li>\n<\/ul>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"jim-sevellec\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>JIM-E. S\u00c9VELLEC<\/h2>\n<pee class=\"dz-date\">1897\u20131971 \u00b7 Peintre et d\u00e9corateur \u00b7 mobilier<\/pee><pee>N\u00e9 \u00e0 Camaret-sur-Mer, Eug\u00e8ne S\u00e9vellec, dit Jim-E. S\u00e9vellec, d\u00e9veloppe une \u0153uvre de peintre, d\u2019illustrateur et de d\u00e9corateur \u00e9troitement li\u00e9e \u00e0 la Bretagne. Il travaille \u00e9galement pour la fa\u00efencerie Henriot et devient peintre de la Marine en 1936. \u00c0 Brest, ses dioramas de la tour Tanguy participent \u00e0 la m\u00e9moire de la ville.<\/pee><\/div>\n<figure>\n<div class=\"dz-face\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Jim-E.-Sevellec-\u2014-portrait-\u2014-Droits-reserves.jpg\" alt=\"Jim-E. S\u00e9vellec \u2014 Droits r\u00e9serv\u00e9s\"><\/div><figcaption class=\"dz-credit\">Collection particuli\u00e8re \u00b7 Soci\u00e9t\u00e9 des Amis de Jim-E. S\u00e9vellec \u00b7 Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>Son activit\u00e9 dans le mobilier m\u00e9rite une attention particuli\u00e8re. Le Mus\u00e9e d\u00e9partemental breton conserve notamment une table et des buffets con\u00e7us vers 1935. Bois sculpt\u00e9, sc\u00e8nes de danse et de procession, motifs g\u00e9om\u00e9triques : le meuble accueille chez lui une narration d\u00e9corative. Ces ensembles permettent d\u2019\u00e9tudier les \u00e9changes entre peinture, d\u00e9cor et cadre de vie.<\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1897 \u2014 Naissance \u00e0 Camaret.<\/li>\n<li>Vers 1935 \u2014 Projets de mobilier.<\/li>\n<li>1936 \u2014 Nomination comme peintre officiel de la Marine.<\/li>\n<li>1971 \u2014 D\u00e9c\u00e8s \u00e0 Brest.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/www.jimsevellec.org\/jim-e-s%C3%A9vellec\/\" target=\"_blank\" rel=\"noopener\">Soci\u00e9t\u00e9 des Amis de Jim-E. S\u00e9vellec \u00b7 biographie \u2197<\/a> \u00b7 <a href=\"https:\/\/www.jimsevellec.org\/catalogue-des-%C5%93uvres\/mobilier\/\" target=\"_blank\" rel=\"noopener\">Catalogue des \u0153uvres \u00b7 mobilier \u2197<\/a><\/pee>\n<h3>Bibliographie<\/h3>\n<ul>\n<li>Armel Morgant, <em>Jim-E. S\u00e9vellec. L\u2019Esprit du pays<\/em>, Locus Solus, 2023.<\/li>\n<li>Jim et Jo\u00ebl S\u00e9vellec, <em>Histoire de Brest. Son histoire et son r\u00f4le dans la vie de la Basse-Bretagne<\/em>, Imprimerie du T\u00e9l\u00e9gramme, 1955.<\/li>\n<\/ul>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"rene-yves-creston\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>REN\u00c9-YVES CRESTON<\/h2>\n<pee class=\"dz-date\">1898\u20131964 \u00b7 Artiste, ethnologue \u00b7 cofondateur<\/pee><pee>Ren\u00e9-Yves Creston participe en 1923 \u00e0 la fondation des Seiz Breur avec Jeanne Malivel et Suzanne Candr\u00e9-Creston. Peinture, gravure, fa\u00efence, mobilier et d\u00e9cor int\u00e9rieur composent un champ de recherche commun : construire un art breton moderne, pr\u00e9sent dans la vie quotidienne. Il joue un r\u00f4le majeur dans l\u2019organisation du groupe apr\u00e8s la disparition de Jeanne Malivel.<\/pee><\/div>\n<figure>\n<div class=\"dz-face\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Rene-Yves-Creston-au-musee-de-Bretagne-vers-1958-\u2014-Droits-reserves.jpg\" alt=\"Ren\u00e9-Yves Creston \u2014 Droits r\u00e9serv\u00e9s\"><\/div><figcaption class=\"dz-credit\">Au mus\u00e9e de Bretagne, vers 1958, avec Marie Berhaut \u00b7 Collection particuli\u00e8re \u00b7 Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>Ses collaborations avec les artisans, notamment Joseph Savina, relient le dessin \u00e0 la fabrication. \u00c0 partir des ann\u00e9es 1930, ses voyages et ses enqu\u00eates l\u2019orientent \u00e9galement vers l\u2019ethnographie. Son engagement dans les mus\u00e9es de Bretagne prolonge cette attention aux objets, aux costumes et aux gestes. Conservateur \u00e0 Saint-Brieuc, il organise en 1964 une exposition consacr\u00e9e \u00e0 quatre si\u00e8cles de mobilier breton.<\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1898 \u2014 Naissance \u00e0 Saint-Nazaire.<\/li>\n<li>1923 \u2014 Cofondation des Seiz Breur.<\/li>\n<li>1925 \u2014 Exposition des arts d\u00e9coratifs de Paris.<\/li>\n<li>1939 \u2014 Formation et qualification en ethnologie.<\/li>\n<li>1964 \u2014 Exposition Quatre si\u00e8cles de mobilier breton et d\u00e9c\u00e8s.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/bcd.bzh\/becedia\/fr\/rene-yves-creston-1898-1964\" target=\"_blank\" rel=\"noopener\">Saphyr Creston \u00b7 B\u00e9c\u00e9dia \u2197<\/a><\/pee>\n<h3>Bibliographie<\/h3>\n<ul>\n<li>Fa\u00f1ch Postic et Jean-Fran\u00e7ois Simon (dir.), <em>Ren\u00e9-Yves Creston (1898\u20131964) : un artiste breton en qu\u00eate d\u2019alt\u00e9rit\u00e9<\/em>, CRBC, 2017.<\/li>\n<\/ul>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"suzanne-creston\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>SUZANNE CANDR\u00c9-CRESTON<\/h2>\n<pee class=\"dz-date\">1899\u20131979 \u00b7 Arts d\u00e9coratifs \u00b7 cofondatrice<\/pee><pee>N\u00e9e \u00e0 Paris, Suzanne Candr\u00e9-Creston participe \u00e0 la fondation des Seiz Breur en 1923. Son travail porte particuli\u00e8rement sur les \u00e9toffes imprim\u00e9es, les fa\u00efences et les projets graphiques. Pour l\u2019exposition parisienne de 1925, elle con\u00e7oit des motifs textiles et des d\u00e9cors de c\u00e9ramique ex\u00e9cut\u00e9s par Henriot.<\/pee><\/div>\n<figure>\n<div class=\"dz-face\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Suzanne-Candre-Creston-\u2014-portrait-\u2014-Droits-reserves.jpg\" alt=\"Suzanne Candr\u00e9-Creston \u2014 Droits r\u00e9serv\u00e9s\"><\/div><figcaption class=\"dz-credit\">Portrait par Ren\u00e9-Yves Creston, 1919 \u00b7 Mus\u00e9e des Beaux-Arts de Brest m\u00e9tropole \u00b7 Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>Ses recherches associent g\u00e9om\u00e9trie, r\u00e9p\u00e9tition et contrastes color\u00e9s. Dans certains projets de pots de cuisine, les lettres deviennent elles-m\u00eames un motif d\u00e9coratif. Ses esquisses t\u00e9moignent d\u2019une volont\u00e9 de faire circuler les formes modernes dans les objets ordinaires. Ce parcours rappelle la place essentielle des arts appliqu\u00e9s et des cr\u00e9atrices dans un mouvement souvent racont\u00e9 \u00e0 travers le seul mobilier.<\/pee><\/div>\n<figure class=\"dz-document-inline\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Suzanne-Candre-Creston-\u2014-projets-graphiques-des-annees-1930-\u2014-Droits-reserves.jpg\" alt=\"Suzanne Candr\u00e9-Creston, projets graphiques des ann\u00e9es 1930\" loading=\"lazy\"><figcaption>Projets graphiques des ann\u00e9es 1930 \u00b7 Collection particuli\u00e8re \u00b7 Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1899 \u2014 Naissance \u00e0 Paris.<\/li>\n<li>1923 \u2014 Cofondation des Seiz Breur.<\/li>\n<li>1925 \u2014 Projets textiles et c\u00e9ramiques pour l\u2019exposition de Paris.<\/li>\n<li>1945 \u2014 Fin de son activit\u00e9 de cr\u00e9ation.<\/li>\n<li>1979 \u2014 D\u00e9c\u00e8s.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/bcd.bzh\/becedia\/fr\/suzanne-candre-creston-l-audace-dans-les-arts-decoratifs\" target=\"_blank\" rel=\"noopener\">Pascal Aumasson \u00b7 B\u00e9c\u00e9dia \u2197<\/a><\/pee>\n<h3>Bibliographie<\/h3>\n<ul>\n<li>Pascal Aumasson, <em>Suzanne Candr\u00e9-Creston, \u00e0 la source des Seiz Breur<\/em>, Locus Solus, 2023.<\/li>\n<li>Pascal Aumasson, <em>Seiz Breur. Pour un art moderne en Bretagne<\/em>, Locus Solus, 2023.<\/li>\n<\/ul>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"xavier-de-langlais\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>XAVIER DE LANGLAIS<\/h2>\n<pee class=\"dz-date\">1906\u20131975 \u00b7 Peintre, graveur et \u00e9crivain<\/pee><pee>N\u00e9 \u00e0 Sarzeau, Xavier de Langlais se forme aux beaux-arts \u00e0 Nantes puis \u00e0 Paris. Peintre, graveur et \u00e9crivain, il contribue au renouveau artistique breton et participe aux Seiz Breur. Avec James Bouill\u00e9, il s\u2019engage dans l\u2019Atelier breton d\u2019art chr\u00e9tien, o\u00f9 architecture, peinture et d\u00e9cor sont pens\u00e9s ensemble.<\/pee><\/div>\n<figure>\n<div class=\"dz-face\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Xavier-de-Langlais-\u2014-portrait-\u2014-Droits-reserves.jpg\" alt=\"Xavier de Langlais \u2014 Droits r\u00e9serv\u00e9s\"><\/div><figcaption class=\"dz-credit\">Archives Ga\u00ebtan de Langlais \u00b7 Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>Son \u0153uvre traverse les supports : illustration, gravure, peinture murale et livres. Enseignant aux beaux-arts de Rennes \u00e0 partir de 1948, il poursuit \u00e9galement une r\u00e9flexion sur les techniques picturales. Ses \u00e9crits en fran\u00e7ais et en breton, dont son cycle arthurien, prolongent son ambition de relier cr\u00e9ation contemporaine et culture bretonne. Il incarne ainsi une autre dimension de l\u2019art total, \u00e0 la rencontre du texte et de l\u2019image.<\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1906 \u2014 Naissance \u00e0 Sarzeau.<\/li>\n<li>1922 \u2014 \u00c9tudes aux Beaux-Arts de Nantes.<\/li>\n<li>1929 \u2014 Fondation de l\u2019Atelier breton d\u2019art chr\u00e9tien avec James Bouill\u00e9.<\/li>\n<li>1948 \u2014 Enseignement aux Beaux-Arts de Rennes.<\/li>\n<li>1975 \u2014 D\u00e9c\u00e8s \u00e0 Rennes.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/www.delanglais.fr\/Xavier%20de%20langlais\/html\/Biographie.htm\" target=\"_blank\" rel=\"noopener\">Archives Ga\u00ebtan de Langlais \u00b7 biographie \u2197<\/a><\/pee>\n<h3>Bibliographie<\/h3>\n<ul>\n<li>Denise Delouche (dir.), <em>Xavier de Langlais et la Bretagne<\/em>, Coop Breizh, 1999.<\/li>\n<li>Pascal Aumasson, <em>Seiz Breur. Pour un art moderne en Bretagne<\/em>, Locus Solus, 2023.<\/li>\n<\/ul>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"robert-micheau-vernez\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>ROBERT MICHEAU-VERNEZ<\/h2>\n<pee class=\"dz-date\">1907\u20131989 \u00b7 Peintre et artiste pluridisciplinaire \u00b7 mobilier<\/pee><pee>N\u00e9 \u00e0 Brest, Robert Micheau-Vernez d\u00e9veloppe une \u0153uvre o\u00f9 la couleur occupe une place centrale. Sa pratique associe peinture, illustration, c\u00e9ramique et arts d\u00e9coratifs. Ses collaborations avec Henriot rendent particuli\u00e8rement visible son travail de figures et de groupes model\u00e9s.<\/pee><\/div>\n<figure>\n<div class=\"dz-face\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Robert-Micheau-Vernez-\u2014-portrait-\u2014-Droits-reserves.jpg\" alt=\"Robert Micheau-Vernez \u2014 Droits r\u00e9serv\u00e9s\"><\/div><figcaption class=\"dz-credit\">Portrait au d\u00e9but des ann\u00e9es 1970 \u00b7 Archives Micheau-Vernez \u00b7 Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>Le mobilier constitue un autre volet de cette \u0153uvre. Un ensemble de chambre con\u00e7u en 1932, conserv\u00e9 au Mus\u00e9e d\u00e9partemental breton, comprend notamment armoires, lit, chevets, coffre et fauteuils. Le d\u00e9cor sculpt\u00e9 en bas-relief fait dialoguer les surfaces et les volumes. Cet ensemble invite \u00e0 d\u00e9passer l\u2019image du seul c\u00e9ramiste pour \u00e9tudier la mani\u00e8re dont un artiste organise un int\u00e9rieur et articule plusieurs m\u00e9tiers.<\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1907 \u2014 Naissance \u00e0 Brest.<\/li>\n<li>1926\u20131928 \u2014 Formation artistique \u00e0 Brest.<\/li>\n<li>1932 \u2014 Adoption de la signature Micheau-Vernez.<\/li>\n<li>1989 \u2014 D\u00e9c\u00e8s au Croisic.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/www.micheau-vernez.fr\/\" target=\"_blank\" rel=\"noopener\">Archives Micheau-Vernez \u00b7 site officiel \u2197<\/a> \u00b7 <a href=\"https:\/\/societe-archeologique.du-finistere.org\/telechargement\/telecharger_bulletin.php?fic=saf2007\" target=\"_blank\" rel=\"noopener\">Soci\u00e9t\u00e9 arch\u00e9ologique du Finist\u00e8re \u00b7 acquisitions du mus\u00e9e, 2007 \u2197<\/a><\/pee>\n<h3>Bibliographie<\/h3>\n<ul>\n<li><em>Bulletin de la Soci\u00e9t\u00e9 arch\u00e9ologique du Finist\u00e8re<\/em>, 2007, acquisitions du Mus\u00e9e d\u00e9partemental breton.<\/li>\n<li>Pascal Aumasson, <em>Seiz Breur. Pour un art moderne en Bretagne<\/em>, Locus Solus, 2023.<\/li>\n<\/ul>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"gaston-sebilleau\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>GASTON S\u00c9BILLEAU<\/h2>\n<pee class=\"dz-date\">1894\u20131957 \u00b7 Sculpteur et \u00e9b\u00e9niste \u00b7 Redon<\/pee><pee>Form\u00e9 \u00e0 la sculpture, Gaston S\u00e9billeau devient une figure majeure de l\u2019artisanat d\u2019art \u00e0 Redon. Bless\u00e9 pendant la Premi\u00e8re Guerre mondiale, il poursuit son activit\u00e9 dans le travail du bois et d\u00e9veloppe un atelier d\u2019\u00e9b\u00e9nisterie. Il participe aux premi\u00e8res ann\u00e9es de l\u2019aventure des Seiz Breur.<\/pee><\/div>\n<figure>\n<div class=\"dz-face\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Gaston-Sebilleau-\u2014-portrait-sculpte-\u2014-Droits-reserves.jpg\" alt=\"Gaston S\u00e9billeau \u2014 Droits r\u00e9serv\u00e9s\"><\/div><figcaption class=\"dz-credit\">Portrait sculpt\u00e9 par Anders J\u00f6nsson, 1918 \u00b7 Mus\u00e9e d\u00e9partemental breton, inv. 2017.11.1 \u00b7 Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>Pour l\u2019exposition de 1925, il r\u00e9alise du mobilier de l\u2019Ost\u00e9 \u00e0 partir des dessins de Jeanne Malivel et de Ren\u00e9-Yves Creston. Son r\u00f4le montre que le renouveau d\u00e9coratif repose autant sur les concepteurs que sur les savoir-faire de fabrication. Ensemblier, il intervient \u00e9galement dans l\u2019am\u00e9nagement d\u2019int\u00e9rieurs, d\u2019h\u00f4tels et de villas. Sa trajectoire relie sculpture, meuble et architecture int\u00e9rieure.<\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1894 \u2014 Naissance \u00e0 Saint-Brieuc.<\/li>\n<li>1925 \u2014 Ex\u00e9cution des meubles de l\u2019Ost\u00e9.<\/li>\n<li>1937 \u2014 Travail pour le pavillon de la Bretagne.<\/li>\n<li>1957 \u2014 D\u00e9c\u00e8s.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/bcd.bzh\/becedia\/fr\/gaston-sebilleau-l-artisan\" target=\"_blank\" rel=\"noopener\">Hubert Ch\u00e9mereau \u00b7 B\u00e9c\u00e9dia \u2197<\/a><\/pee>\n<h3>Bibliographie<\/h3>\n<ul>\n<li>Pascal Aumasson, <em>Seiz Breur. Pour un art moderne en Bretagne<\/em>, Locus Solus, 2023.<\/li>\n<\/ul>\n<\/section>\n<\/section>\n<section class=\"dz-profile\" id=\"james-bouille\">\n<div class=\"dz-profile-head\">\n<div>\n<h2>JAMES BOUILL\u00c9<\/h2>\n<pee class=\"dz-date\">1894\u20131945 \u00b7 Architecte \u00b7 mobilier et am\u00e9nagement<\/pee><pee>James Bouill\u00e9 participe au renouvellement de l\u2019architecture et des arts d\u00e9coratifs bretons. Avec Xavier de Langlais, il anime l\u2019Atelier breton d\u2019art chr\u00e9tien, qui r\u00e9unit plusieurs m\u00e9tiers autour d\u2019une conception commune de l\u2019espace. Le b\u00e2timent, le mobilier et les d\u00e9cors y forment un ensemble.<\/pee><\/div>\n<figure>\n<div class=\"dz-monogram\" aria-label=\"Portrait en attente\">JB<\/div><figcaption class=\"dz-credit\">Monogramme provisoire \u00b7 portrait en attente.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-profile-body\"><pee>La chapelle Saint-Joseph \u00e0 Lannion, construite dans les ann\u00e9es 1930, en offre un exemple particuli\u00e8rement lisible. Architecture, vitraux, sculpture, ferronnerie et \u00e9b\u00e9nisterie sont coordonn\u00e9s dans un m\u00eame projet, ex\u00e9cut\u00e9 avec des artisans sp\u00e9cialis\u00e9s. Le r\u00f4le de Bouill\u00e9 dans le mobilier doit donc \u00eatre abord\u00e9 comme celui d\u2019un architecte-concepteur d\u2019int\u00e9rieurs et d\u2019\u00e9l\u00e9ments liturgiques, plut\u00f4t que comme celui d\u2019un fabricant de meubles.<\/pee><\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1894 \u2014 Naissance.<\/li>\n<li>1928 \u2014 Entr\u00e9e dans les Seiz Breur.<\/li>\n<li>1929 \u2014 Fondation de l\u2019Atelier breton d\u2019art chr\u00e9tien.<\/li>\n<li>1936\u20131937 \u2014 Chapelle Saint-Joseph \u00e0 Lannion : architecture et am\u00e9nagement int\u00e9rieur.<\/li>\n<li>1945 \u2014 D\u00e9c\u00e8s.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/bcd.bzh\/becedia\/fr\/la-chapelle-saint-joseph-une-creation-bretonne-moderne\" target=\"_blank\" rel=\"noopener\">Jean-Jacques Monnier \u00b7 B\u00e9c\u00e9dia, chapelle Saint-Joseph \u2197<\/a><\/pee>\n<h3>Bibliographie<\/h3>\n<ul>\n<li>Jean-Jacques Monnier, \u00ab La chapelle Saint-Joseph, une cr\u00e9ation bretonne moderne \u00bb, B\u00e9c\u00e9dia, 2016.<\/li>\n<li>Pascal Aumasson, <em>Seiz Breur. Pour un art moderne en Bretagne<\/em>, Locus Solus, 2023.<\/li>\n<\/ul>\n<\/section>\n<\/section>\n<p><a class=\"dz-back\" href=\"\/recherche\/ar-seiz-breur\/\">\u2190 RETOUR AU DOSSIER AR SEIZ BREUR<\/a><\/div>\n<p><\/main>[\/et_pb_code][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":3363,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3601","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ar Seiz Breur \u2014 Artistes et ateliers - DIZAGN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dizagn.fr\/en\/recherche\/ar-seiz-breur\/artistes-et-ateliers\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ar Seiz Breur \u2014 Artistes et ateliers - 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