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1\"\/><feFuncG type=\"discrete\" tableValues=\"0 1\"\/><feFuncB type=\"discrete\" tableValues=\"0 1\"\/><\/feComponentTransfer><feColorMatrix type=\"matrix\" values=\".87 0 0 0 .075 0 .855 0 0 .07 0 0 .80 0 .06 0 0 0 1 0\"\/><\/filter><\/defs><\/svg><main class=\"dz-editorial\" id=\"bio-joseph-savina\"><\/p>\n<div class=\"dz-shell\">\n<div class=\"dz-eyebrow\"><a href=\"\/recherche\/\">RECHERCHE<\/a> \/ <a href=\"\/recherche\/ar-seiz-breur\/\">AR SEIZ BREUR<\/a><\/div>\n<div class=\"dz-bio-head\">\n<figure>\n<div class=\"dz-medallion dz-original-portrait dz-crop-savina\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/SAVINA-JOSEPH-2-2.jpg\" alt=\"Portrait de Joseph Savina, pr\u00e9sentation en noir et blanc tram\u00e9\"><\/div><figcaption>Portrait de Joseph Savina \u00b7 Ren\u00e9 Trotel, Le Mobilier Breton \u00b7 Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<div>\n<div class=\"dz-eyebrow\">1901\u20141983 \u00b7 FICHE BIOGRAPHIQUE<\/div>\n<h1>JOSEPH SAVINA<\/h1>\n<pee class=\"dz-prose\" style=\"margin-top:25px\">\u00c9b\u00e9niste, sculpteur et artisan de la modernit\u00e9 bretonne.<\/pee><\/div>\n<\/div>\n<div class=\"dz-bio-text dz-prose\"><pee>Joseph Savina est un \u00e9b\u00e9niste et sculpteur breton dont l\u2019atelier est install\u00e9 \u00e0 Tr\u00e9guier.<\/pee><pee>Il ouvre son Atelier d\u2019art celtique en 1929.<\/pee><pee>Son travail s\u2019inscrit dans le renouvellement du mobilier r\u00e9gional au XXe si\u00e8cle.<\/pee><pee>Il participe au mouvement des Seiz Breur, qui rapproche dessinateurs, artisans et d\u00e9corateurs.<\/pee>\n<div class=\"dz-story-images\">\n<figure><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Joseph-Savina-\u2014-coffre-\u2014-Collection-DIZAGN.png\" target=\"_blank\" rel=\"noopener\"><img src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Joseph-Savina-\u2014-coffre-\u2014-Collection-DIZAGN.png\" alt=\"Joseph Savina \u2014 coffre \u2014 Collection DIZAGN.\" loading=\"lazy\" decoding=\"async\"><\/a><figcaption>Joseph Savina \u2014 coffre \u2014 Collection DIZAGN.<\/figcaption><\/figure>\n<figure><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Joseph-Savina-\u2014-detail-de-table-\u2014-Collection-DIZAGN.jpg\" target=\"_blank\" rel=\"noopener\"><img src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Joseph-Savina-\u2014-detail-de-table-\u2014-Collection-DIZAGN.jpg\" alt=\"Joseph Savina \u2014 d\u00e9tail de table \u2014 Collection DIZAGN.\" loading=\"lazy\" decoding=\"async\"><\/a><figcaption>Joseph Savina \u2014 d\u00e9tail de table \u2014 Collection DIZAGN.<\/figcaption><\/figure>\n<\/div>\n<h2>Le meuble et l\u2019atelier<\/h2>\n<pee>Savina r\u00e9alise des tables, des si\u00e8ges et des ensembles mobiliers, souvent en ch\u00eane patin\u00e9.<\/pee><pee>Le dessin du meuble et son ex\u00e9cution peuvent relever de personnes diff\u00e9rentes.<\/pee><pee>Un objet fabriqu\u00e9 dans l\u2019atelier n\u2019a donc pas n\u00e9cessairement \u00e9t\u00e9 dessin\u00e9 par Savina.<\/pee><pee>Cette distinction est particuli\u00e8rement importante dans les collaborations avec Ren\u00e9-Yves Creston.<\/pee><pee>Elle permet de d\u00e9crire une \u0153uvre avec pr\u00e9cision au lieu de l\u2019enfermer dans une attribution unique.<\/pee><pee>Le rapport entre les formes, les mat\u00e9riaux, la sculpture et la fonction est au c\u0153ur de ce mobilier.<\/pee><pee>Les \u00e9l\u00e9ments d\u00e9coratifs peuvent \u00e9voquer la Bretagne et la mer sans reproduire litt\u00e9ralement les mod\u00e8les anciens.<\/pee>\n<div class=\"dz-story-images\">\n<figure><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Joseph-Savina-\u2014-paire-de-chevets-\u2014-Collection-DIZAGN-\u2014-original.jpg\" target=\"_blank\" rel=\"noopener\"><img src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Joseph-Savina-\u2014-paire-de-chevets-\u2014-Collection-DIZAGN-\u2014-original.jpg\" alt=\"Joseph Savina \u2014 paire de chevets \u2014 Collection DIZAGN.\" loading=\"lazy\" decoding=\"async\"><\/a><figcaption>Joseph Savina \u2014 paire de chevets \u2014 Collection DIZAGN.<\/figcaption><\/figure>\n<figure><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Joseph-Savina-\u2014-detail-des-chevets-\u2014-Collection-DIZAGN-\u2014-original.jpg\" target=\"_blank\" rel=\"noopener\"><img src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Joseph-Savina-\u2014-detail-des-chevets-\u2014-Collection-DIZAGN-\u2014-original.jpg\" alt=\"Joseph Savina \u2014 d\u00e9tail des chevets \u2014 Collection DIZAGN.\" loading=\"lazy\" decoding=\"async\"><\/a><figcaption>Joseph Savina \u2014 d\u00e9tail des chevets \u2014 Collection DIZAGN.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-story-images dz-single\">\n<figure><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Seiz-Breur-\u2014-porte-manteau-\u2014-Collection-DIZAGN.png\" target=\"_blank\" rel=\"noopener\"><img src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Seiz-Breur-\u2014-porte-manteau-\u2014-Collection-DIZAGN.png\" alt=\"Joseph Savina \u2014 porte-manteau \u2014 Collection DIZAGN. Provenance : communaut\u00e9 religieuse de Guingamp.\" loading=\"lazy\" decoding=\"async\"><\/a><figcaption>Joseph Savina \u2014 porte-manteau \u2014 Collection DIZAGN. Provenance : communaut\u00e9 religieuse de Guingamp.<\/figcaption><\/figure>\n<\/div>\n<figure class=\"dz-document-inline\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Joseph-Savina-\u2014-sellette-musee-departemental-breton.jpg\" alt=\"JOSEPH SAVINA, \u0153uvre ou document de r\u00e9f\u00e9rence\"><figcaption>Joseph Savina, sellette \u00e0 d\u00e9cor d\u2019entrelacs celtiques, vers 1930. Mus\u00e9e d\u00e9partemental breton, inv. 2012.15.1. Droits r\u00e9serv\u00e9s. <a href=\"https:\/\/musee-breton.finistere.fr\/fr\/notice\/2012-15-1-sellette-a-decor-d-entrelacs-celtiques-musee-departemental-breton-a8ff7463-2c12-4f41-b8c1-00b2bf25a6eb\">Notice<\/a>.<\/figcaption><\/figure>\n<h2>Une autre collaboration : Le Corbusier<\/h2>\n<pee>\u00c0 partir de 1945, Savina collabore avec Le Corbusier \u00e0 des sculptures.<\/pee><pee>Selon la Fondation Le Corbusier, l\u2019architecte imagine les formes, souvent \u00e0 partir de ses dessins et peintures.<\/pee><pee>Savina les traduit ensuite dans le volume.<\/pee><pee>Cette rencontre montre la place du savoir-faire d\u2019atelier dans une cr\u00e9ation partag\u00e9e.<\/pee><pee>Elle ne doit pas conduire \u00e0 attribuer \u00e0 Le Corbusier les meubles de Savina sans preuve propre \u00e0 chaque pi\u00e8ce.<\/pee>\n<figure class=\"dz-document-inline\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Savina-Le-Corbusier-\u2014-atelier-Treguier-1963-scaled.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Savina-Le-Corbusier-\u2014-atelier-Treguier-1963-scaled.jpg\" alt=\"Le Corbusier et Joseph Savina dans l\u2019atelier de Tr\u00e9guier, 1963. Collection priv\u00e9e. Aumasson et Brand\u2019honneur, p. 8\u20139.\" style=\"transform:rotate(180deg)\"><\/a><figcaption>Le Corbusier et Joseph Savina dans l\u2019atelier de Tr\u00e9guier, 1963. Collection priv\u00e9e. Aumasson et Brand\u2019honneur, p. 8\u20139. Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<pee>L\u2019enqu\u00eate de Pascal Aumasson et Yves Brand\u2019honneur croise les registres de commandes, les albums de l\u2019atelier et la correspondance entre les deux artistes. Elle restitue l\u2019activit\u00e9 quotidienne de l\u2019\u00e9b\u00e9niste aussi bien que la cr\u00e9ation sculpturale partag\u00e9e.<\/pee>\n<h2>Reconna\u00eetre une \u0153uvre<\/h2>\n<pee>Une attribution solide r\u00e9unit provenance, documents anciens et comparaison avec des objets identifi\u00e9s.<\/pee><pee>Il faut examiner l\u2019essence du bois, les assemblages, les proportions, les marques et les \u00e9ventuelles transformations.<\/pee><pee>Une ressemblance avec un meuble \u00ab breton moderne \u00bb constitue une piste, jamais une d\u00e9monstration.<\/pee><pee>Les notices de mus\u00e9e peuvent aussi distinguer l\u2019auteur d\u2019un dessin de l\u2019\u00e9b\u00e9niste qui l\u2019a r\u00e9alis\u00e9.<\/pee>\n<div class=\"dz-story-images dz-triple\">\n<figure><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Joseph-Savina-\u2014-lustre-\u2014-Collection-DIZAGN-\u2014-original.png\" target=\"_blank\" rel=\"noopener\"><img src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Joseph-Savina-\u2014-lustre-\u2014-Collection-DIZAGN-\u2014-original.png\" alt=\"Joseph Savina \u2014 lustre \u2014 Collection DIZAGN.\" loading=\"lazy\" decoding=\"async\"><\/a><figcaption>Joseph Savina \u2014 lustre \u2014 Collection DIZAGN.<\/figcaption><\/figure>\n<figure><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Joseph-Savina-\u2014-detail-sculpte-du-lustre-\u2014-Collection-DIZAGN-\u2014-original.jpg\" target=\"_blank\" rel=\"noopener\"><img src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Joseph-Savina-\u2014-detail-sculpte-du-lustre-\u2014-Collection-DIZAGN-\u2014-original.jpg\" alt=\"Joseph Savina \u2014 d\u00e9tail sculpt\u00e9 du lustre \u2014 Collection DIZAGN.\" loading=\"lazy\" decoding=\"async\"><\/a><figcaption>Joseph Savina \u2014 d\u00e9tail sculpt\u00e9 du lustre \u2014 Collection DIZAGN.<\/figcaption><\/figure>\n<figure><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Joseph-Savina-\u2014-dessous-du-lustre-\u2014-Collection-DIZAGN-\u2014-original.jpg\" target=\"_blank\" rel=\"noopener\"><img src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Joseph-Savina-\u2014-dessous-du-lustre-\u2014-Collection-DIZAGN-\u2014-original.jpg\" alt=\"Joseph Savina \u2014 dessous du lustre \u2014 Collection DIZAGN.\" loading=\"lazy\" decoding=\"async\"><\/a><figcaption>Joseph Savina \u2014 dessous du lustre \u2014 Collection DIZAGN.<\/figcaption><\/figure>\n<\/div>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1901 \u2014 Naissance de Joseph Savina.<\/li>\n<li>1929 \u2014 Ouverture de l\u2019Atelier d\u2019art celtique \u00e0 Tr\u00e9guier.<\/li>\n<li>1945 \u2014 D\u00e9but de la collaboration sculpturale avec Le Corbusier.<\/li>\n<li>1983 \u2014 D\u00e9c\u00e8s.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/pop.culture.gouv.fr\/notice\/merimee\/IA22133206\">Minist\u00e8re de la Culture, notice patrimoniale sur Joseph Savina<\/a>.<\/pee><pee><a href=\"https:\/\/www.fondationlecorbusier.fr\/le-corbusier\/oeuvres\/arts-plastiques\/sculptures\/\">Fondation Le Corbusier, collaboration sculpturale avec Savina<\/a>.<\/pee>\n<h3><span class=\"dz-library-fr notranslate\">BIBLIOGRAPHIE<\/span><span class=\"dz-library-en notranslate\">LIBRARY<\/span><\/h3>\n<style>.dz-library-grid{display:grid;grid-template-columns:repeat(4,minmax(0,1fr));gap:32px 24px;margin:32px 0 48px}.dz-library-book{margin:0!important;min-width:0}.dz-library-book img{display:block!important;width:100%!important;height:300px!important;object-fit:contain!important;transform:none!important;filter:none!important;border:0!important;background:transparent!important}.dz-library-book h4{font-size:18px!important;line-height:1.35!important;margin:18px 0 10px!important}.dz-library-book p,.dz-library-book figcaption{font-size:14px!important;line-height:1.6!important}.dz-library-book p{margin:0 0 10px!important}.dz-library-book figcaption>a{font-size:12px}.dz-library-en{display:none}html[lang^=\"en\"] .dz-library-fr{display:none}html[lang^=\"en\"] .dz-library-en{display:inline}@media(max-width:980px){.dz-library-grid{grid-template-columns:repeat(2,minmax(0,1fr))}}@media(max-width:540px){.dz-library-grid{grid-template-columns:1fr}.dz-library-book img{height:320px!important}}<\/style>\n<div class=\"dz-library-grid\">\n<figure class=\"dz-library-book\" data-book=\"3\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/004-ar-seiz-breur-j-r-rotte-1923-1947.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/004-ar-seiz-breur-j-r-rotte-1923-1947.jpg\" alt=\"Couverture : Ar Seiz Breur. Recherches et r\u00e9alisations pour un art breton moderne, 1923\u20131947\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Ar Seiz Breur. Recherches et r\u00e9alisations pour un art breton moderne, 1923\u20131947<\/h4>\n<pee>Jean-Ren\u00e9 Rott\u00e9<!\u2013- [et_pb_br_holder] -\u2013>Breizh Hor Bro, Elven \u00b7 1987 \u00b7 203 p.<\/pee><pee>Histoire du mouvement et de ses recherches dans les arts appliqu\u00e9s.<\/pee><a href=\"https:\/\/mucem.org\/notice\/b\/oai%3APMB%3A69902\/\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<figure class=\"dz-library-book\" data-book=\"5\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/006-seiz-breur-pascal-aumasson-1923-1947.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/006-seiz-breur-pascal-aumasson-1923-1947.jpg\" alt=\"Couverture : Seiz Breur. Pour un art moderne en Bretagne, 1923\u20131947\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Seiz Breur. Pour un art moderne en Bretagne, 1923\u20131947<\/h4>\n<pee>Pascal Aumasson<!\u2013- [et_pb_br_holder] -\u2013>Locus Solus \u00b7 2017 \u00b7 Nouvelle \u00e9dition en 2023<\/pee><pee>\u00c9tude illustr\u00e9e des artistes, des disciplines et des r\u00e9alisations du mouvement.<\/pee><a href=\"https:\/\/www.locus-solus.fr\/auteurs\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<figure class=\"dz-library-book\" data-book=\"7\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/008-quimper-cornouaille-annees-1920-1930.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/008-quimper-cornouaille-annees-1920-1930.jpg\" alt=\"Couverture : Quimper Cornouaille. Ann\u00e9es 1920\/1930\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Quimper Cornouaille. Ann\u00e9es 1920\/1930<\/h4>\n<pee>Philippe Le Stum (dir.)<!\u2013- [et_pb_br_holder] -\u2013>Palantines, Quimper \u00b7 2010 \u00b7 173 p.<\/pee><pee>Catalogue consacr\u00e9 \u00e0 l\u2019Art d\u00e9co en Cornouaille : mobilier, c\u00e9ramique et arts plastiques.<\/pee><a href=\"https:\/\/archives.quimper.bzh\/ark%3A\/naan\/a011725607910OV9dDX\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<\/div>\n<ul>\n<li>Daniel Le Cou\u00e9dic et Jean-Yves Veillard (dir.), <em>Ar Seiz Breur 1923\u20131947. La cr\u00e9ation bretonne entre tradition et modernit\u00e9<\/em>, Terre de Brume \/ Mus\u00e9e de Bretagne, Rennes, 2000.<\/li>\n<li>Ren\u00e9 Trotel, <em>Le Mobilier Breton. Histoire et splendeurs d\u2019un artisanat r\u00e9gional<\/em>, Coop Breizh, pr\u00e9face de Laurence Prod\u2019homme.<\/li>\n<li>Pascal Aumasson et Yves Brand\u2019Honneur, <em>Savina\u2013Le Corbusier, de l\u2019art celtique \u00e0 la sculpture moderne<\/em>, Locus Solus, 2021.<\/li>\n<li>Fran\u00e7oise de Franclieu, <em>Le Corbusier, Savina : dessins et sculptures<\/em>, Philippe Sers, 1984.<\/li>\n<\/ul>\n<\/section>\n<\/div>\n<div class=\"dz-foot\"><a href=\"\/recherche\/ar-seiz-breur\/\">\u2190 Retour au dossier AR SEIZ BREUR<\/a><\/div>\n<\/div>\n<p><\/main>[\/et_pb_code][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":3363,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3374","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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