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href=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22300%22%20height%3D%22300%22%3E%3Cdefs%3E%3CradialGradient%20id%3D%22g%22%3E%3Cstop%20offset%3D%220%22%20stop-color%3D%22%23000%22%2F%3E%3Cstop%20offset%3D%221%22%20stop-color%3D%22%23fff%22%2F%3E%3C%2FradialGradient%3E%3Cpattern%20id%3D%22p%22%20width%3D%2210%22%20height%3D%2210%22%20patternUnits%3D%22userSpaceOnUse%22%3E%3Crect%20width%3D%2210%22%20height%3D%2210%22%20fill%3D%22%23fff%22%2F%3E%3Ccircle%20cx%3D%225%22%20cy%3D%225%22%20r%3D%225%22%20fill%3D%22url(%23g)%22%2F%3E%3C%2Fpattern%3E%3C%2Fdefs%3E%3Crect%20width%3D%22300%22%20height%3D%22300%22%20fill%3D%22url(%23p)%22%2F%3E%3C%2Fsvg%3E\" x=\"0\" y=\"0\" width=\"100%\" height=\"100%\" preserveAspectRatio=\"none\" result=\"dots\"\/><feComposite in=\"gray\" in2=\"dots\" operator=\"arithmetic\" k1=\"0\" k2=\"1\" k3=\"1\" k4=\"-0.5\" result=\"screen\"\/><feComponentTransfer in=\"screen\"><feFuncR type=\"discrete\" tableValues=\"0 1\"\/><feFuncG type=\"discrete\" tableValues=\"0 1\"\/><feFuncB type=\"discrete\" tableValues=\"0 1\"\/><\/feComponentTransfer><feColorMatrix type=\"matrix\" values=\".87 0 0 0 .075 0 .855 0 0 .07 0 0 .80 0 .06 0 0 0 1 0\"\/><\/filter><\/defs><\/svg><main class=\"dz-editorial\" id=\"bio-jeanne-malivel\"><\/p>\n<div class=\"dz-shell\">\n<div class=\"dz-eyebrow\"><a href=\"\/recherche\/\">RECHERCHE<\/a> \/ <a href=\"\/recherche\/ar-seiz-breur\/\">AR SEIZ BREUR<\/a><\/div>\n<div class=\"dz-bio-head\">\n<figure>\n<div class=\"dz-medallion dz-original-portrait dz-crop-jeanne\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/MALIVEL-JEANNE-2.jpg\" alt=\"Portrait de Jeanne Malivel, pr\u00e9sentation en noir et blanc tram\u00e9\"><\/div><figcaption>Jeanne Malivel \u00b7 photographie de Rapha\u00ebl Binet \u00b7 reproduction fournie \u00b7 Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<div>\n<div class=\"dz-eyebrow\">1895\u20141926 \u00b7 FICHE BIOGRAPHIQUE<\/div>\n<h1>JEANNE MALIVEL<\/h1>\n<pee class=\"dz-prose\" style=\"margin-top:25px\">Artiste et cr\u00e9atrice : penser ensemble le meuble, le motif et l\u2019espace.<\/pee><\/div>\n<\/div>\n<div class=\"dz-bio-text dz-prose\"><pee>Jeanne Malivel (1895\u20131926) est une figure majeure du renouveau des arts d\u00e9coratifs bretons.<\/pee><pee>Son \u0153uvre, br\u00e8ve mais vari\u00e9e, passe du dessin \u00e0 la gravure, de la c\u00e9ramique aux projets de mobilier et de textile.<\/pee><pee>Elle cherche des formes contemporaines capables d\u2019exprimer une culture r\u00e9gionale sans copier les meubles anciens.<\/pee>\n<div class=\"dz-story-images\">\n<figure><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Jeanne-Malivel-\u2014-chaise-\u2014-Collection-DIZAGN.jpg\" target=\"_blank\" rel=\"noopener\"><img src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Jeanne-Malivel-\u2014-chaise-\u2014-Collection-DIZAGN.jpg\" alt=\"Jeanne Malivel \u2014 chaise \u2014 Collection DIZAGN.\" loading=\"lazy\" decoding=\"async\"><\/a><figcaption>Jeanne Malivel \u2014 chaise \u2014 Collection DIZAGN.<\/figcaption><\/figure>\n<figure><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Jeanne-Malivel-\u2014-table-\u2014-Collection-DIZAGN-\u2014-original.jpg\" target=\"_blank\" rel=\"noopener\"><img src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Jeanne-Malivel-\u2014-table-\u2014-Collection-DIZAGN-\u2014-original.jpg\" alt=\"Jeanne Malivel \u2014 table \u2014 Collection DIZAGN.\" loading=\"lazy\" decoding=\"async\"><\/a><figcaption>Jeanne Malivel \u2014 table \u2014 Collection DIZAGN.<\/figcaption><\/figure>\n<\/div>\n<section id=\"malivel-formation-engagement\">\n<h2>De Loud\u00e9ac aux ateliers parisiens<\/h2>\n<pee>N\u00e9e \u00e0 Loud\u00e9ac, Jeanne Malivel se forme au dessin aupr\u00e8s de Louise Gicquel pendant ses \u00e9tudes \u00e0 Rennes. La Premi\u00e8re Guerre mondiale interrompt son parcours artistique : revenue \u00e0 Loud\u00e9ac, elle travaille comme infirmi\u00e8re b\u00e9n\u00e9vole et dessine les bless\u00e9s dans ses carnets. Ces documents t\u00e9moignent d\u2019une pratique attentive aux personnes autant qu\u2019aux formes.<\/pee><pee>Elle r\u00e9ussit de nouveau le concours des Beaux-Arts de Paris en 1918. L\u2019Association des Amis de Jeanne Malivel rappelle ses liens avec la Guilde Notre-Dame et les ateliers d\u2019Art sacr\u00e9 de Maurice Denis. Son retour en Bretagne s\u2019accompagne d\u2019un engagement pour les savoir-faire locaux : l\u2019artisanat doit contribuer \u00e0 la vie \u00e9conomique du territoire et offrir des perspectives aux jeunes Bretonnes tent\u00e9es de partir travailler \u00e0 Paris.<\/pee><pee class=\"dz-credit\">Source : <a href=\"https:\/\/amisjeannemalivel.jimdofree.com\/\">Association des Amis de Jeanne Malivel, notice biographique<\/a>.<\/pee><\/section>\n<section id=\"malivel-bois-graves\">\n<h2>La gravure, entre histoire et imaginaire<\/h2>\n<pee>Les bois grav\u00e9s donnent une place centrale \u00e0 l\u2019histoire et aux r\u00e9cits bretons. La s\u00e9lection de l\u2019association r\u00e9unit notamment Nomino\u00eb, Jeanne-la-Flamme, le d\u00e9barquement de Jean IV, le camp de Conlie et la bataille de Ballon. Les figures l\u00e9gendaires de Viviane et Merlin c\u00f4toient les portraits d\u2019\u00e9crivains, de Brizeux \u00e0 Tristan Corbi\u00e8re. Ce r\u00e9pertoire permet d\u2019aborder plusieurs dimensions de son \u0153uvre graphique : r\u00e9cit historique, imaginaire et m\u00e9moire litt\u00e9raire.<\/pee><pee class=\"dz-credit\">Voir la <a href=\"https:\/\/amisjeannemalivel.jimdofree.com\/bois-grav%C3%A9s\/\">s\u00e9lection de bois grav\u00e9s de l\u2019association<\/a>.<\/pee><\/section>\n<h2>Une modernit\u00e9 bretonne<\/h2>\n<pee>Au d\u00e9but des ann\u00e9es 1920, cette recherche rejoint celle d\u2019autres artistes et artisans r\u00e9unis autour des Seiz Breur.<\/pee><pee>Le groupe veut rapprocher conception artistique et travail des ateliers.<\/pee><pee>Les lignes deviennent plus nettes, les volumes plus simples et le d\u00e9cor plus lisible.<\/pee><pee>Les motifs r\u00e9gionaux ne disparaissent pas : ils sont transform\u00e9s et employ\u00e9s avec mesure.<\/pee>\n<h2>L\u2019Ost\u00e9 de 1925<\/h2>\n<pee>La salle \u00e0 manger pr\u00e9sent\u00e9e au Pavillon de la Bretagne de l\u2019Exposition internationale des arts d\u00e9coratifs de Paris en 1925 en donne une d\u00e9monstration.<\/pee><pee>Malivel et Ren\u00e9-Yves Creston fournissent des dessins et des esquisses d\u2019assemblage d\u00e8s 1923.<\/pee><pee>Le menuisier Gaston S\u00e9billeau ex\u00e9cute les meubles.<\/pee><pee>Cette r\u00e9partition des r\u00f4les est essentielle pour attribuer correctement les pi\u00e8ces.<\/pee><pee>L\u2019ensemble associe des meubles solides \u00e0 une volont\u00e9 d\u2019all\u00e9ger leur silhouette.<\/pee><pee>Leur construction ne se cache pas derri\u00e8re un d\u00e9cor rapport\u00e9 : jonctions et structures participent au dessin.<\/pee><pee>Sur une armoire conserv\u00e9e \u00e0 Quimper, un \u00e9clair simplifi\u00e9, creus\u00e9 dans le bois et peint en noir, suffit \u00e0 animer les portes.<\/pee><pee>Les chaises pr\u00e9sentent des dossiers sobres et des assises garnies de tissu.<\/pee><pee>Le mobilier de l\u2019Ost\u00e9 fut salu\u00e9 lors de l\u2019exposition de 1925.<\/pee>\n<figure class=\"dz-document-inline\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Ar-Seiz-Breur-\u2014-projet-document-historique.jpg\" alt=\"JEANNE MALIVEL, \u0153uvre ou document de r\u00e9f\u00e9rence\"><figcaption><em>Projet propos\u00e9 par Ar Seiz Breur<\/em>, page 2. Attribu\u00e9 \u00e0 Jeanne Malivel dans la notice ; collection mus\u00e9e de Bretagne. Domaine public. <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Projet_propos%C3%A9_par_Ar_Seiz_Breur_p.2.jpg\">Source<\/a>.<\/figcaption><\/figure>\n<figure class=\"dz-document-inline\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Creston-\u2014-projet-LOste-1925-\u2014-Rene-Trotel-scaled.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Creston-\u2014-projet-LOste-1925-\u2014-Rene-Trotel-scaled.jpg\" alt=\"Ren\u00e9-Yves Creston, projet de L\u2019Ost\u00e9, 1925. Ren\u00e9 Trotel, <em>Le Mobilier Breton<\/em>, p. 202\u2013203.\u00a0\u00bb style=\u00a0\u00bbtransform:rotate(180deg)\u00a0\u00bb><\/a><figcaption>Ren\u00e9-Yves Creston, projet de L\u2019Ost\u00e9, 1925. Ren\u00e9 Trotel, <em>Le Mobilier Breton<\/em>, p. 202\u2013203. Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<figure class=\"dz-document-inline\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/IMG_0080-scaled.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/IMG_0080-scaled.jpg\" alt=\"Jeanne Malivel et Ren\u00e9-Yves Creston : \u00e9tudes et r\u00e9alisations de mobilier. Ren\u00e9 Trotel, Le Mobilier Breton, p. 204\u2013205.\" style=\"transform:rotate(180deg)\"><\/a><figcaption>Jeanne Malivel et Ren\u00e9-Yves Creston : \u00e9tudes et r\u00e9alisations de mobilier. Ren\u00e9 Trotel, <em>Le Mobilier Breton<\/em>, p. 204\u2013205. Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<pee>Ren\u00e9 Trotel documente la chambre \u00e0 coucher dessin\u00e9e par Jeanne Malivel pour le mariage de sa s\u0153ur et r\u00e9alis\u00e9e par Julien Bacon, \u00e0 Caurel (p. 205). Dessin du meuble et ex\u00e9cution en atelier participent ainsi d\u2019un m\u00eame projet, adapt\u00e9 \u00e0 la vie domestique.<\/pee>\n<figure class=\"dz-document-inline\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/IMG_9929-scaled.jpg\" target=\"_blank\" rel=\"noopener\"><\/p>\n<div style=\"position:relative;aspect-ratio:3\/4;overflow:hidden\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/IMG_9929-scaled.jpg\" style=\"position:absolute;width:133.333%!important;max-width:none!important;left:-16.667%;top:12.5%;height:auto;max-height:none;transform:rotate(-90deg)\" alt=\"Jeanne Malivel : \u00e9tude pour une chaise\"><\/div>\n<p><\/a><figcaption>Jeanne Malivel, \u00e9tude pour une chaise, reproduite dans <em>Ar Seiz Breur 1923\u20131947<\/em>, 2000, p. 52\u201353. Droits r\u00e9serv\u00e9s.<\/figcaption><\/figure>\n<h2>Pourquoi regarder les documents ?<\/h2>\n<pee>Une pi\u00e8ce inspir\u00e9e de ce vocabulaire n\u2019est pas automatiquement un meuble dessin\u00e9 par Malivel.<\/pee><pee>La provenance, les dimensions, les assemblages et les photographies anciennes doivent \u00eatre rapproch\u00e9s des \u0153uvres conserv\u00e9es.<\/pee><pee>Les signatures, les tampons et la documentation de l\u2019atelier m\u00e9ritent un examen particulier.<\/pee><pee>Il faut aussi distinguer ce que Malivel a con\u00e7u seule, ce qu\u2019elle a con\u00e7u avec Creston et ce que S\u00e9billeau a fabriqu\u00e9.<\/pee>\n<div class=\"dz-story-images\">\n<figure><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Jeanne-Malivel-\u2014-lustre-\u2014-Collection-DIZAGN.jpg\" target=\"_blank\" rel=\"noopener\"><img src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Jeanne-Malivel-\u2014-lustre-\u2014-Collection-DIZAGN.jpg\" alt=\"Jeanne Malivel \u2014 lustre \u2014 Collection DIZAGN.\" loading=\"lazy\" decoding=\"async\"><\/a><figcaption>Jeanne Malivel \u2014 lustre \u2014 Collection DIZAGN.<\/figcaption><\/figure>\n<figure><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Jeanne-Malivel-\u2014-detail-du-lustre-\u2014-Collection-DIZAGN.jpg\" target=\"_blank\" rel=\"noopener\"><img src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Jeanne-Malivel-\u2014-detail-du-lustre-\u2014-Collection-DIZAGN.jpg\" alt=\"Jeanne Malivel \u2014 d\u00e9tail du lustre \u2014 Collection DIZAGN.\" loading=\"lazy\" decoding=\"async\"><\/a><figcaption>Jeanne Malivel \u2014 d\u00e9tail du lustre \u2014 Collection DIZAGN.<\/figcaption><\/figure>\n<\/div>\n<div class=\"dz-story-images dz-single\">\n<figure><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Jeanne-Malivel-\u2014-textile-Le-Minor-\u2014-Collection-DIZAGN.png\" target=\"_blank\" rel=\"noopener\"><img src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/Jeanne-Malivel-\u2014-textile-Le-Minor-\u2014-Collection-DIZAGN.png\" alt=\"Jeanne Malivel \u2014 textile Le Minor \u2014 Collection DIZAGN.\" loading=\"lazy\" decoding=\"async\"><\/a><figcaption>Jeanne Malivel \u2014 textile Le Minor \u2014 Collection DIZAGN.<\/figcaption><\/figure>\n<\/div>\n<section id=\"malivel-arts-maison\">\n<h2>Du meuble aux arts de la maison<\/h2>\n<pee>Le r\u00e9pertoire d\u2019\u0153uvres pr\u00e9sent\u00e9 par l\u2019association \u00e9largit le regard au-del\u00e0 de l\u2019Ost\u00e9. Il comprend une bonneti\u00e8re dat\u00e9e de 1919, un meuble au motif \u00ab Kaourentin \u00bb et du mobilier de l\u2019exposition de 1925. Ces rep\u00e8res permettent de replacer les projets d\u2019ameublement dans un parcours plus large.<\/pee><pee>Les textiles \u2014 \u00e9toffe d\u2019ameublement \u00e0 feuilles, rubans, coussin \u00e0 motifs celtiques et serviette de table \u2014 voisinent avec le \u00ab service jaune \u00bb en c\u00e9ramique et des projets de vitraux, dont un panier fleuri et une foug\u00e8re. Leur rapprochement invite \u00e0 lire l\u2019int\u00e9rieur comme un ensemble, o\u00f9 meuble, tissu, vaisselle et lumi\u00e8re participent au d\u00e9cor.<\/pee><pee>Le site rappelle \u00e9galement que le conte <em>Les Sept Fr\u00e8res<\/em>, transcrit en gallo et illustr\u00e9 par Malivel, est \u00e0 l\u2019origine du nom Ar Seiz Breur.<\/pee><pee class=\"dz-credit\">Source : <a href=\"https:\/\/amisjeannemalivel.jimdofree.com\/%C5%93uvres\/\">Association des Amis de Jeanne Malivel, galerie des \u0153uvres<\/a>. Les intitul\u00e9s et la date de la bonneti\u00e8re reprennent les l\u00e9gendes de cette galerie.<\/pee><\/section>\n<section id=\"malivel-recherche-association\">\n<h2>Une \u0153uvre \u00e0 documenter et \u00e0 transmettre<\/h2>\n<pee>Constitu\u00e9e \u00e0 Rennes en mars 2014, l\u2019Association des Amis de Jeanne Malivel \u0153uvre au recensement et \u00e0 la conservation des cr\u00e9ations de l\u2019artiste. Elle favorise leur connaissance par les expositions, les publications et les r\u00e9\u00e9ditions, avec l\u2019appui d\u2019un comit\u00e9 scientifique r\u00e9unissant historiens de l\u2019art, conservateurs et universitaires. Son travail constitue une ressource pour poursuivre l\u2019\u00e9tude des \u0153uvres et de leur histoire.<\/pee><pee class=\"dz-credit\">Source : <a href=\"https:\/\/amisjeannemalivel.jimdofree.com\/l-association\/\">pr\u00e9sentation de l\u2019association<\/a>.<\/pee>\n<h3>Lectures compl\u00e9mentaires<\/h3>\n<ul>\n<li><em>Jeanne Malivel dans la grande guerre<\/em>, version 2018, 75 pages : pour prolonger l\u2019\u00e9tude des carnets et de l\u2019exp\u00e9rience de guerre.<\/li>\n<li><em>Journ\u00e9e d\u2019\u00e9tude Jeanne Malivel<\/em>, actes des conf\u00e9rences du 29 septembre 2018 au Mus\u00e9e d\u00e9partemental breton, 49 pages.<\/li>\n<li><em>Colloque Jeanne Malivel<\/em>, actes du colloque du 15 avril 2023 \u00e0 l\u2019Institut national d\u2019histoire de l\u2019art, 88 pages.<\/li>\n<li><em>R\u00e9voltes et batailles en Bretagne<\/em>, textes de Fran\u00e7oise Le Goaziou, 112 pages : une contextualisation des gravures et dessins pr\u00e9paratoires.<\/li>\n<\/ul>\n<pee class=\"dz-credit\">R\u00e9f\u00e9rences et \u00e9ditions : <a href=\"https:\/\/amisjeannemalivel.jimdofree.com\/bibliographie\/\">bibliographie des Amis de Jeanne Malivel<\/a>.<\/pee>\n<h3>Le centenaire de 2026 \u00e0 Loud\u00e9ac<\/h3>\n<pee>Pour le centenaire de sa disparition, l\u2019exposition pr\u00e9sent\u00e9e \u00e0 la m\u00e9diath\u00e8que de Loud\u00e9ac du 2 septembre au 30 octobre 2026 explore les liens de Malivel avec sa ville natale. Organis\u00e9e avec les Mus\u00e9es de la Route du Lin et l\u2019association, elle b\u00e9n\u00e9ficie de pr\u00eats de collections priv\u00e9es. Cette approche locale compl\u00e8te la lecture de son r\u00f4le dans le renouveau des arts d\u00e9coratifs bretons.<\/pee><pee class=\"dz-credit\">Source : <a href=\"https:\/\/amisjeannemalivel.jimdofree.com\/actualit%C3%A9s\/\">actualit\u00e9s de l\u2019association<\/a>, consult\u00e9es le 16 octobre 2026.<\/pee><\/section>\n<section class=\"dz-references\">\n<h3>Dates cl\u00e9s<\/h3>\n<ul>\n<li>1895 \u2014 Naissance \u00e0 Loud\u00e9ac.<\/li>\n<li>1923 \u2014 Cofondation des Seiz Breur et premiers projets pour l\u2019Ost\u00e9.<\/li>\n<li>1925 \u2014 Pr\u00e9sentation de l\u2019Ost\u00e9 \u00e0 l\u2019Exposition des arts d\u00e9coratifs de Paris.<\/li>\n<li>1926 \u2014 D\u00e9c\u00e8s.<\/li>\n<\/ul>\n<h3>Sources<\/h3>\n<pee><a href=\"https:\/\/pop.culture.gouv.fr\/notice\/joconde\/02080006834\">Armoire de l\u2019Ost\u00e9, mus\u00e9e d\u00e9partemental breton, notice 02080006834<\/a>.<\/pee><pee><a href=\"https:\/\/pop.culture.gouv.fr\/notice\/joconde\/02080006841\">Chaises de l\u2019Ost\u00e9, mus\u00e9e d\u00e9partemental breton, notice 02080006841<\/a>.<\/pee><pee>Ces notices permettent de confronter les d\u00e9tails d\u2019un objet aux exemplaires conserv\u00e9s \u00e0 Quimper.<\/pee>\n<h3><span class=\"dz-library-fr notranslate\">BIBLIOGRAPHIE<\/span><span class=\"dz-library-en notranslate\">LIBRARY<\/span><\/h3>\n<style>.dz-library-grid{display:grid;grid-template-columns:repeat(4,minmax(0,1fr));gap:32px 24px;margin:32px 0 48px}.dz-library-book{margin:0!important;min-width:0}.dz-library-book img{display:block!important;width:100%!important;height:300px!important;object-fit:contain!important;transform:none!important;filter:none!important;border:0!important;background:transparent!important}.dz-library-book h4{font-size:18px!important;line-height:1.35!important;margin:18px 0 10px!important}.dz-library-book p,.dz-library-book figcaption{font-size:14px!important;line-height:1.6!important}.dz-library-book p{margin:0 0 10px!important}.dz-library-book figcaption>a{font-size:12px}.dz-library-en{display:none}html[lang^=\"en\"] .dz-library-fr{display:none}html[lang^=\"en\"] .dz-library-en{display:inline}@media(max-width:980px){.dz-library-grid{grid-template-columns:repeat(2,minmax(0,1fr))}}@media(max-width:540px){.dz-library-grid{grid-template-columns:1fr}.dz-library-book img{height:320px!important}}<\/style>\n<div class=\"dz-library-grid\">\n<figure class=\"dz-library-book\" data-book=\"4\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/005-jeanne-malivel-memoire-du-pays-de-loudeac.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/005-jeanne-malivel-memoire-du-pays-de-loudeac.jpg\" alt=\"Couverture : Jeanne Malivel : son \u0153uvre et \u00ab Les sept fr\u00e8res \u00bb\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Jeanne Malivel : son \u0153uvre et \u00ab Les sept fr\u00e8res \u00bb<\/h4>\n<pee>Octave-Louis Aubert \u00b7 Pr\u00e9face de Maurice Denis<!\u2013- [et_pb_br_holder] -\u2013>Association M\u00e9moire du Pays de Loud\u00e9ac \u00b7 1995<\/pee><pee>R\u00e9\u00e9dition de l\u2019ouvrage de 1929 consacr\u00e9 \u00e0 Jeanne Malivel.<\/pee><a href=\"https:\/\/www.persee.fr\/authority\/1620215\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<figure class=\"dz-library-book\" data-book=\"3\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/004-ar-seiz-breur-j-r-rotte-1923-1947.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/004-ar-seiz-breur-j-r-rotte-1923-1947.jpg\" alt=\"Couverture : Ar Seiz Breur. Recherches et r\u00e9alisations pour un art breton moderne, 1923\u20131947\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Ar Seiz Breur. Recherches et r\u00e9alisations pour un art breton moderne, 1923\u20131947<\/h4>\n<pee>Jean-Ren\u00e9 Rott\u00e9<!\u2013- [et_pb_br_holder] -\u2013>Breizh Hor Bro, Elven \u00b7 1987 \u00b7 203 p.<\/pee><pee>Histoire du mouvement et de ses recherches dans les arts appliqu\u00e9s.<\/pee><a href=\"https:\/\/mucem.org\/notice\/b\/oai%3APMB%3A69902\/\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<figure class=\"dz-library-book\" data-book=\"5\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/006-seiz-breur-pascal-aumasson-1923-1947.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/006-seiz-breur-pascal-aumasson-1923-1947.jpg\" alt=\"Couverture : Seiz Breur. Pour un art moderne en Bretagne, 1923\u20131947\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Seiz Breur. Pour un art moderne en Bretagne, 1923\u20131947<\/h4>\n<pee>Pascal Aumasson<!\u2013- [et_pb_br_holder] -\u2013>Locus Solus \u00b7 2017 \u00b7 Nouvelle \u00e9dition en 2023<\/pee><pee>\u00c9tude illustr\u00e9e des artistes, des disciplines et des r\u00e9alisations du mouvement.<\/pee><a href=\"https:\/\/www.locus-solus.fr\/auteurs\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<figure class=\"dz-library-book\" data-book=\"7\"><a href=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/008-quimper-cornouaille-annees-1920-1930.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dizagn.fr\/wp-content\/uploads\/2026\/10\/008-quimper-cornouaille-annees-1920-1930.jpg\" alt=\"Couverture : Quimper Cornouaille. Ann\u00e9es 1920\/1930\" loading=\"lazy\" width=\"1086\" height=\"1448\"><\/a><figcaption>\n<h4>Quimper Cornouaille. Ann\u00e9es 1920\/1930<\/h4>\n<pee>Philippe Le Stum (dir.)<!\u2013- [et_pb_br_holder] -\u2013>Palantines, Quimper \u00b7 2010 \u00b7 173 p.<\/pee><pee>Catalogue consacr\u00e9 \u00e0 l\u2019Art d\u00e9co en Cornouaille : mobilier, c\u00e9ramique et arts plastiques.<\/pee><a href=\"https:\/\/archives.quimper.bzh\/ark%3A\/naan\/a011725607910OV9dDX\" target=\"_blank\" rel=\"noopener\">R\u00e9f\u00e9rence \u2197<\/a><\/figcaption><\/figure>\n<\/div>\n<ul>\n<li>Denise Delouche, \u00ab Jeanne Malivel, le phare du renouveau breton \u00bb, dans <em>Ar Seiz Breur 1923\u20131947<\/em>, 2000, p. 44\u201359.<\/li>\n<li>Daniel Le Cou\u00e9dic et Jean-Yves Veillard (dir.), <em>Ar Seiz Breur 1923\u20131947. La cr\u00e9ation bretonne entre tradition et modernit\u00e9<\/em>, Terre de Brume \/ Mus\u00e9e de Bretagne, Rennes, 2000.<\/li>\n<li>Ren\u00e9 Trotel, <em>Le Mobilier Breton. Histoire et splendeurs d\u2019un artisanat r\u00e9gional<\/em>, Coop Breizh, pr\u00e9face de Laurence Prod\u2019homme.<\/li>\n<li>Olivier Levasseur, <em>Jeanne Malivel : une artiste engag\u00e9e<\/em>, Locus Solus, 2023.<\/li>\n<li>Philippe Le Stum, <em>Arts populaires de Bretagne<\/em>, Ouest-France, 1995.<\/li>\n<\/ul>\n<\/section>\n<\/div>\n<div class=\"dz-foot\"><a href=\"\/recherche\/ar-seiz-breur\/\">\u2190 Retour au dossier AR SEIZ BREUR<\/a><\/div>\n<\/div>\n<style id=\"dz-malivel-ecru-20261016\">\n#bio-jeanne-malivel{--dz-mat:#f6f3eb;--dz-mat-size:clamp(14px,2.5vw,32px)}\n#bio-jeanne-malivel .dz-story-images figure>a,#bio-jeanne-malivel .dz-document-inline>a,#bio-jeanne-malivel .dz-library-book>a{display:block;background:var(--dz-mat);padding:var(--dz-mat-size);box-sizing:border-box;overflow:hidden}\n#bio-jeanne-malivel .dz-story-images figure>a img{display:block!important;width:100%!important;height:auto!important;max-height:none!important;object-fit:contain!important;aspect-ratio:auto!important;transform:none!important}\n#bio-jeanne-malivel .dz-document-inline{max-width:100%!important;margin:36px auto!important}\n#bio-jeanne-malivel .dz-document-inline>a>img{display:block!important;width:100%!important;height:auto!important;max-height:none!important;object-fit:contain!important;transform-origin:center!important}\n#bio-jeanne-malivel .dz-document-inline>img{display:block!important;width:100%!important;height:auto!important;max-height:none!important;box-sizing:border-box;border:var(--dz-mat-size) solid var(--dz-mat)!important;object-fit:contain!important}\n#bio-jeanne-malivel .dz-document-inline>a>div:has(img[src$=\"IMG_9929-scaled.jpg\"]){position:relative!important;aspect-ratio:3\/4!important;width:100%!important;overflow:hidden!important;background:var(--dz-mat)}\n#bio-jeanne-malivel .dz-document-inline img[src$=\"IMG_9929-scaled.jpg\"]{position:absolute!important;left:50%!important;top:50%!important;width:133.333333%!important;max-width:none!important;height:auto!important;max-height:none!important;transform:translate(-50%,-50%) rotate(-90deg)!important;transform-origin:center!important}\n#bio-jeanne-malivel .dz-library-book>a{padding:16px}\n#bio-jeanne-malivel .dz-library-book img{background:var(--dz-mat)!important}\n#bio-jeanne-malivel figcaption{margin-top:12px!important}\n<\/style>\n<p><\/main>[\/et_pb_code][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":3381,"parent":3363,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3373","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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