{"id":2928,"date":"2026-09-16T14:04:12","date_gmt":"2026-09-16T12:04:12","guid":{"rendered":"https:\/\/dizagn.fr\/?page_id=2928"},"modified":"2026-09-16T14:50:30","modified_gmt":"2026-09-16T12:50:30","slug":"generation-formes-utiles","status":"publish","type":"page","link":"https:\/\/dizagn.fr\/en\/generation-formes-utiles\/","title":{"rendered":"G\u00c9N\u00c9RATION FORMES UTILES \u2014 Une histoire du design fran\u00e7ais, 1945\u20131973"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ background_color=\u00a0\u00bb#f4f0e7″ custom_padding=\u00a0\u00bb90px|6%|80px|6%|false|false\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb65px|5%|60px|5%|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb50px|5%|50px|5%|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb][et_pb_row width=\u00a0\u00bb90%\u00a0\u00bb max_width=\u00a0\u00bb1180px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″][et_pb_image src=\u00a0\u00bbhttps:\/\/dizagn.fr\/wp-content\/uploads\/2026\/09\/Generation-Formes-Utiles-\u2014-couverture.jpg\u00a0\u00bb alt=\u00a0\u00bbThibault Lannuzel, G\u00e9n\u00e9ration Formes Utiles \u2014 couverture de la th\u00e8se\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb max_width=\u00a0\u00bb360px\u00a0\u00bb admin_label=\u00a0\u00bbCouverture G\u00e9n\u00e9ration Formes Utiles\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text text_font=\u00a0\u00bbGeorgia||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb17px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb header_1_font_size=\u00a0\u00bb58px\u00a0\u00bb header_1_font_size_tablet=\u00a0\u00bb44px\u00a0\u00bb header_1_font_size_phone=\u00a0\u00bb34px\u00a0\u00bb header_1_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb header_1_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb]<\/p>\n

RECHERCHE \/ RESEARCH<\/p>\n

G\u00c9N\u00c9RATION FORMES UTILES<\/h1>\n

UNE HISTOIRE DU DESIGN FRAN\u00c7AIS \u00b7 1945\u20141973<\/p>\n

Recherche doctorale de Thibault Lannuzel consacr\u00e9e \u00e0 une g\u00e9n\u00e9ration de designers fran\u00e7ais qui, de la Reconstruction \u00e0 la fin des Trente Glorieuses, participe \u00e0 l\u2019\u00e9mergence du mobilier de s\u00e9rie, du design industriel et d\u2019une nouvelle architecture int\u00e9rieure.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ background_color=\u00a0\u00bb#fffdf8″ custom_padding=\u00a0\u00bb85px|6%|45px|6%|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb50px|5%|35px|5%|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb][et_pb_row width=\u00a0\u00bb74%\u00a0\u00bb width_phone=\u00a0\u00bb90%\u00a0\u00bb width_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb max_width=\u00a0\u00bb930px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text text_font=\u00a0\u00bbGeorgia||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb17px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb header_2_font_size=\u00a0\u00bb19px\u00a0\u00bb header_2_font_size_phone=\u00a0\u00bb18px\u00a0\u00bb header_2_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb header_2_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb]<\/p>\n

UNE G\u00c9N\u00c9RATION<\/h2>\n

Au lendemain de la Seconde Guerre mondiale, une nouvelle g\u00e9n\u00e9ration de cr\u00e9ateurs fran\u00e7ais s\u2019impose dans le paysage du mobilier, du si\u00e8ge, du luminaire et de l\u2019am\u00e9nagement int\u00e9rieur. Elle ne constitue ni une \u00e9cole ni une association constitu\u00e9e. Elle se d\u00e9finit par une proximit\u00e9 d\u2019\u00e2ge, des formations communes, des passages dans les m\u00eames bureaux d\u2019\u00e9tudes, des r\u00e9seaux professionnels partag\u00e9s et une m\u00eame volont\u00e9 de rapprocher cr\u00e9ation et industrie.<\/p>\n

Cette recherche identifie onze designers au c\u0153ur de ce ph\u00e9nom\u00e8ne : Janine Abraham, Dirk-Jan Rol, Ren\u00e9-Jean Caillette, Pierre Guariche, Andr\u00e9 Monpoix, Michel Mortier, Joseph-Andr\u00e9 Motte, Pierre Paulin, Antoine Philippon, Jacqueline Lecoq et Alain Richard.<\/p>\n

Le terme \u00ab G\u00e9n\u00e9ration Formes Utiles \u00bb renvoie \u00e0 la section Formes Utiles cr\u00e9\u00e9e \u00e0 l\u2019initiative d\u2019Andr\u00e9 Hermant dans le prolongement de l\u2019UAM et pr\u00e9sent\u00e9e au Salon des arts m\u00e9nagers : un espace o\u00f9 forme et fonction sont pens\u00e9es ensemble.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ background_color=\u00a0\u00bb#fffdf8″ custom_padding=\u00a0\u00bb0px|6%|70px|6%|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb0px|5%|45px|5%|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb][et_pb_row width=\u00a0\u00bb90%\u00a0\u00bb max_width=\u00a0\u00bb1180px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″][et_pb_image src=\u00a0\u00bbhttps:\/\/dizagn.fr\/wp-content\/uploads\/2026\/09\/Andre-Monpoix-et-Alain-Richard-\u2014-sejour-avenue-dAuteuil-\u2014-1954-\u2014-capture-de-travail.png\u00a0\u00bb alt=\u00a0\u00bbAndr\u00e9 Monpoix et Alain Richard, s\u00e9jour avenue d\u2019Auteuil \u00e0 Paris, Jean Ginsberg architecte, 1954″ align=\u00a0\u00bbcenter\u00a0\u00bb admin_label=\u00a0\u00bbArchive \u2014 Andr\u00e9 Monpoix et Alain Richard \u2014 1954″][\/et_pb_image][et_pb_text text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb11px\u00a0\u00bb text_line_height=\u00a0\u00bb1.55em\u00a0\u00bb text_text_color=\u00a0\u00bb#6f6a62″ custom_margin=\u00a0\u00bb12px||||false|false\u00a0\u00bb]<\/p>\n

Andr\u00e9 Monpoix et Alain Richard, s\u00e9jour, avenue d\u2019Auteuil, Paris, Jean Ginsberg architecte, 1954. Maison Fran\u00e7aise<\/em>, n\u00b075, mars 1954, p. 9. Cr\u00e9dit d\u00e9finitif \u00e0 confirmer.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][et_pb_image src=\u00a0\u00bbhttps:\/\/dizagn.fr\/wp-content\/uploads\/2026\/09\/Joseph-Andre-Motte-\u2014-sejour-rue-des-Wallons-\u2014-1962-\u2014-capture-de-travail.png\u00a0\u00bb alt=\u00a0\u00bbJoseph-Andr\u00e9 Motte, s\u00e9jour rue des Wallons \u00e0 Paris, 1962″ align=\u00a0\u00bbcenter\u00a0\u00bb admin_label=\u00a0\u00bbArchive \u2014 Joseph-Andr\u00e9 Motte \u2014 1962″][\/et_pb_image][et_pb_text text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb11px\u00a0\u00bb text_line_height=\u00a0\u00bb1.55em\u00a0\u00bb text_text_color=\u00a0\u00bb#6f6a62″ custom_margin=\u00a0\u00bb12px||||false|false\u00a0\u00bb]<\/p>\n

Joseph-Andr\u00e9 Motte, s\u00e9jour, rue des Wallons, Paris, 1962. Catalogue d\u2019agence Joseph-Andr\u00e9 Motte, \u00e9ditions SCORE, Paris, 1969. Cr\u00e9dit d\u00e9finitif \u00e0 confirmer.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ background_color=\u00a0\u00bb#f4f0e7″ custom_padding=\u00a0\u00bb70px|6%|70px|6%|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb45px|5%|45px|5%|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb][et_pb_row width=\u00a0\u00bb90%\u00a0\u00bb max_width=\u00a0\u00bb1180px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″][et_pb_text text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb12px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb]<\/p>\n

1945<\/strong>
Reconstruction, nouveaux logements, red\u00e9finition du mobilier et de ses usages.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″][et_pb_text text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb12px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb]<\/p>\n

1950\u20141960<\/strong>
Salons, \u00e9diteurs, nouveaux mat\u00e9riaux, signatures collectives et diffusion du mobilier de s\u00e9rie.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″][et_pb_text text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb12px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb]<\/p>\n

1960\u20141973<\/strong>
Commandes publiques, \u00e9quipements, transports et passage de l\u2019objet \u00e0 l\u2019architecture int\u00e9rieure.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ background_color=\u00a0\u00bb#fffdf8″ custom_padding=\u00a0\u00bb85px|6%|60px|6%|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb50px|5%|40px|5%|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb][et_pb_row width=\u00a0\u00bb74%\u00a0\u00bb width_phone=\u00a0\u00bb90%\u00a0\u00bb width_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb max_width=\u00a0\u00bb930px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text text_font=\u00a0\u00bbGeorgia||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb17px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb header_2_font_size=\u00a0\u00bb19px\u00a0\u00bb header_2_font_size_phone=\u00a0\u00bb18px\u00a0\u00bb header_2_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb header_2_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb]<\/p>\n

DU FONCTIONNALISME SOCIAL AU DESIGN<\/h2>\n

La g\u00e9n\u00e9ration \u00e9tudi\u00e9e s\u2019inscrit dans une filiation fran\u00e7aise qui passe par Francis Jourdain, puis Ren\u00e9 Gabriel et Marcel Gascoin. Ces cr\u00e9ateurs d\u00e9fendent un mobilier rationnel, produit en s\u00e9rie, accessible et adapt\u00e9 aux transformations du logement moderne.<\/p>\n

Chez leurs cadets, ces principes se traduisent par une rigueur du dessin, l\u2019ing\u00e9niosit\u00e9 des syst\u00e8mes constructifs, la justesse des mat\u00e9riaux, le soin port\u00e9 aux assemblages et une recherche constante d\u2019ergonomie. L\u2019objet n\u2019est plus con\u00e7u comme une pi\u00e8ce d\u00e9corative isol\u00e9e, mais comme l\u2019\u00e9l\u00e9ment d\u2019un cadre de vie moderne.<\/p>\n

Le designer appara\u00eet alors comme l\u2019interlocuteur capable de relier l\u2019usage, le mat\u00e9riau, l\u2019industrie et l\u2019espace.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ background_color=\u00a0\u00bb#fffdf8″ custom_padding=\u00a0\u00bb0px|6%|70px|6%|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb0px|5%|45px|5%|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb][et_pb_row width=\u00a0\u00bb90%\u00a0\u00bb max_width=\u00a0\u00bb1180px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″][et_pb_image src=\u00a0\u00bbhttps:\/\/dizagn.fr\/wp-content\/uploads\/2026\/09\/Pierre-Guariche-\u2014-sejour-place-Adolphe-Cherioux-\u2014-1966-\u2014-capture-de-travail.png\u00a0\u00bb alt=\u00a0\u00bbPierre Guariche, s\u00e9jour place Adolphe-Ch\u00e9rioux \u00e0 Paris, 1966″ align=\u00a0\u00bbcenter\u00a0\u00bb admin_label=\u00a0\u00bbArchive \u2014 Pierre Guariche \u2014 1966″][\/et_pb_image][et_pb_text text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb11px\u00a0\u00bb text_line_height=\u00a0\u00bb1.55em\u00a0\u00bb text_text_color=\u00a0\u00bb#6f6a62″ custom_margin=\u00a0\u00bb12px||||false|false\u00a0\u00bb]<\/p>\n

Pierre Guariche, s\u00e9jour, place Adolphe-Ch\u00e9rioux, Paris, 1966. Maison Fran\u00e7aise<\/em>, n\u00b0211, octobre 1967, p. 142. Cr\u00e9dit d\u00e9finitif \u00e0 confirmer.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][et_pb_image src=\u00a0\u00bbhttps:\/\/dizagn.fr\/wp-content\/uploads\/2026\/09\/Janine-Abraham-\u2014-sejour-avenue-du-Chateau-a-Meudon-\u2014-1969-\u2014-capture-de-travail.png\u00a0\u00bb alt=\u00a0\u00bbJanine Abraham, cage \u00e0 poules du s\u00e9jour, avenue du Ch\u00e2teau \u00e0 Meudon, 1969″ align=\u00a0\u00bbcenter\u00a0\u00bb admin_label=\u00a0\u00bbArchive \u2014 Janine Abraham \u2014 1969″][\/et_pb_image][et_pb_text text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb11px\u00a0\u00bb text_line_height=\u00a0\u00bb1.55em\u00a0\u00bb text_text_color=\u00a0\u00bb#6f6a62″ custom_margin=\u00a0\u00bb12px||||false|false\u00a0\u00bb]<\/p>\n

Janine Abraham, \u00ab cage \u00e0 poules \u00bb du s\u00e9jour, avenue du Ch\u00e2teau, Meudon, 1969. Photo couleur. Source et cr\u00e9dit d\u00e9finitifs \u00e0 confirmer \u00e0 partir de la l\u00e9gende d\u2019archive.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ background_color=\u00a0\u00bb#f4f0e7″ custom_padding=\u00a0\u00bb80px|6%|80px|6%|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb45px|5%|45px|5%|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb][et_pb_row width=\u00a0\u00bb90%\u00a0\u00bb max_width=\u00a0\u00bb1180px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text text_font=\u00a0\u00bbGeorgia||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb16px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb header_2_font_size=\u00a0\u00bb19px\u00a0\u00bb header_2_font_size_phone=\u00a0\u00bb18px\u00a0\u00bb header_2_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb header_2_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb]<\/p>\n

ONZE DESIGNERS<\/h2>\n

Janine Abraham & Dirk-Jan Rol<\/a> \u00b7 Ren\u00e9-Jean Caillette<\/a> \u00b7 Pierre Guariche<\/a> \u00b7 Andr\u00e9 Monpoix<\/a> \u00b7 Michel Mortier<\/a> \u00b7 Joseph-Andr\u00e9 Motte<\/a> \u00b7 Pierre Paulin<\/a> \u00b7 Antoine Philippon & Jacqueline Lecoq<\/a> \u00b7 Alain Richard<\/a>.<\/p>\n

Chaque biographie sera progressivement reli\u00e9e aux \u0153uvres, archives, \u00e9diteurs, collections publiques et objets DIZAGN correspondants.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ background_color=\u00a0\u00bb#f4f0e7″ custom_padding=\u00a0\u00bb72px|6%|78px|6%|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb45px|5%|45px|5%|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb][et_pb_row width=\u00a0\u00bb90%\u00a0\u00bb max_width=\u00a0\u00bb1180px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text text_font=\u00a0\u00bbGeorgia||||||||\u00a0\u00bb header_2_font_size=\u00a0\u00bb19px\u00a0\u00bb header_2_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb]<\/p>\n

OBJETS & RECHERCHE<\/h2>\n

Quelques \u0153uvres d\u00e9j\u00e0 document\u00e9es par DIZAGN permettent d\u2019articuler la recherche historique, les biographies de designers et l\u2019\u00e9tude mat\u00e9rielle des mod\u00e8les.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row width=\u00a0\u00bb90%\u00a0\u00bb max_width=\u00a0\u00bb1180px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″][et_pb_image src=\u00a0\u00bbhttps:\/\/dizagn.fr\/wp-content\/uploads\/2024\/04\/GUARICHE-Pierre-VAMPIRE-armchair-1.jpg\u00a0\u00bb alt=\u00a0\u00bbPierre Guariche, bridge Vampire, Steiner, circa 1953″ force_fullwidth=\u00a0\u00bbon\u00a0\u00bb url=\u00a0\u00bb\/designer-pierre-guariche\/\u00a0\u00bb][\/et_pb_image][et_pb_text text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb11px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb0.5px\u00a0\u00bb text_line_height=\u00a0\u00bb1.55em\u00a0\u00bb]<\/p>\n

PIERRE GUARICHE<\/strong>
Bridge Vampire \u00b7 Steiner \u00b7 c.1953<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″][et_pb_image src=\u00a0\u00bbhttps:\/\/dizagn.fr\/wp-content\/uploads\/2025\/10\/ARP-CORB-armchair-prototype-1.jpg\u00a0\u00bb alt=\u00a0\u00bbARP, fauteuil A7 dit CORB, prototype Steiner, 1955″ force_fullwidth=\u00a0\u00bbon\u00a0\u00bb url=\u00a0\u00bb\/designer-arp-atelier-de-recherches-plastiques\/\u00a0\u00bb][\/et_pb_image][et_pb_text text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb11px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb0.5px\u00a0\u00bb text_line_height=\u00a0\u00bb1.55em\u00a0\u00bb]<\/p>\n

A.R.P.<\/strong>
Fauteuil A7 dit CORB \u00b7 prototype Steiner \u00b7 1955<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″][et_pb_image src=\u00a0\u00bbhttps:\/\/dizagn.fr\/wp-content\/uploads\/2023\/04\/MORTIER-Michel-Set-of-6-Hexagone-chairs.png\u00a0\u00bb alt=\u00a0\u00bbMichel Mortier, chaises Hexagone, Steiner, 1961″ force_fullwidth=\u00a0\u00bbon\u00a0\u00bb url=\u00a0\u00bb\/designer-michel-mortier\/\u00a0\u00bb][\/et_pb_image][et_pb_text text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb11px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb0.5px\u00a0\u00bb text_line_height=\u00a0\u00bb1.55em\u00a0\u00bb]<\/p>\n

MICHEL MORTIER<\/strong>
Chaises Hexagone \u00b7 Steiner \u00b7 1961<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ background_color=\u00a0\u00bb#fffdf8″ custom_padding=\u00a0\u00bb85px|6%|60px|6%|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb50px|5%|40px|5%|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb][et_pb_row width=\u00a0\u00bb74%\u00a0\u00bb width_phone=\u00a0\u00bb90%\u00a0\u00bb width_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb max_width=\u00a0\u00bb930px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text text_font=\u00a0\u00bbGeorgia||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb17px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb header_2_font_size=\u00a0\u00bb19px\u00a0\u00bb header_2_font_size_phone=\u00a0\u00bb18px\u00a0\u00bb header_2_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb header_2_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb]<\/p>\n

UNE RECHERCHE FOND\u00c9E SUR LES ARCHIVES<\/h2>\n

La recherche doctorale a \u00e9t\u00e9 construite \u00e0 partir d\u2019un corpus de pr\u00e8s de 10 000 documents : sources primaires, fonds familiaux et institutionnels, catalogues, p\u00e9riodiques et entretiens avec des acteurs directs ou indirects de cette histoire.<\/p>\n

Les archives, souvent dispers\u00e9es ou encore conserv\u00e9es par les familles, permettent de replacer les mod\u00e8les dans leur contexte de cr\u00e9ation, de fabrication, d\u2019exposition et d\u2019usage. Elles \u00e9clairent \u00e9galement les relations entre designers, \u00e9diteurs, fabricants, institutions et commanditaires.<\/p>\n

Les documents d\u2019archives pr\u00e9sent\u00e9s ult\u00e9rieurement sur cette page feront l\u2019objet d\u2019une v\u00e9rification syst\u00e9matique des cr\u00e9dits et droits de reproduction.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ background_color=\u00a0\u00bb#fffdf8″ custom_padding=\u00a0\u00bb0px|6%|70px|6%|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb0px|5%|45px|5%|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb][et_pb_row width=\u00a0\u00bb82%\u00a0\u00bb width_phone=\u00a0\u00bb90%\u00a0\u00bb width_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb max_width=\u00a0\u00bb980px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_image src=\u00a0\u00bbhttps:\/\/dizagn.fr\/wp-content\/uploads\/2026\/09\/Stand-ARP-1955-\u2014-capture-de-travail.png\u00a0\u00bb alt=\u00a0\u00bbStand ARP, 1955″ align=\u00a0\u00bbcenter\u00a0\u00bb admin_label=\u00a0\u00bbArchive \u2014 Stand ARP \u2014 1955 \u2014 Jean Collas\u00a0\u00bb][\/et_pb_image][et_pb_text text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb11px\u00a0\u00bb text_line_height=\u00a0\u00bb1.55em\u00a0\u00bb text_text_color=\u00a0\u00bb#6f6a62″ custom_margin=\u00a0\u00bb12px||||false|false\u00a0\u00bb]<\/p>\n

A.R.P., Airborne, Disderot, Minvielle et Cabanne, Steiner \u00e9diteurs, section \u00ab Foyer d\u2019aujourd\u2019hui \u00bb, 1955. Photo Jean Collas, Archives Jean Collas, Mus\u00e9e des Arts d\u00e9coratifs, Paris. Fichier num\u00e9ris\u00e9 d\u00e9finitif \u00e0 substituer apr\u00e8s validation.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ background_color=\u00a0\u00bb#f4f0e7″ custom_padding=\u00a0\u00bb80px|6%|80px|6%|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb45px|5%|45px|5%|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb][et_pb_row width=\u00a0\u00bb90%\u00a0\u00bb max_width=\u00a0\u00bb1180px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text text_font=\u00a0\u00bbGeorgia||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb16px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb header_2_font_size=\u00a0\u00bb19px\u00a0\u00bb header_2_font_size_phone=\u00a0\u00bb18px\u00a0\u00bb header_2_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb header_2_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb]<\/p>\n

DE L\u2019OBJET \u00c0 L\u2019ESPACE<\/h2>\n

La cr\u00e9ation de mod\u00e8les de s\u00e9rie constitue le point de d\u00e9part, non l\u2019aboutissement. \u00c0 mesure que ces designers ouvrent leurs propres agences, leurs interventions s\u2019\u00e9largissent aux commerces, logements, administrations, \u00e9quipements culturels et transports.<\/p>\n

Les commandes publiques et le Mobilier national offrent un terrain majeur pour cette \u00e9volution, jusqu\u2019\u00e0 faire de l\u2019architecture int\u00e9rieure l\u2019un des prolongements naturels de leur pratique.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text text_font=\u00a0\u00bbGeorgia||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb16px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb header_2_font_size=\u00a0\u00bb19px\u00a0\u00bb header_2_font_size_phone=\u00a0\u00bb18px\u00a0\u00bb header_2_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb header_2_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb]<\/p>\n

TH\u00c8SE & PUBLICATION<\/h2>\n

G\u00e9n\u00e9ration Formes Utiles \u2014 \u00c9tude d\u2019un groupe de designers en France, 1945-1973<\/em>, th\u00e8se de doctorat en Histoire de l\u2019art, Universit\u00e9 Paris IV\u2013Paris-Sorbonne, 2011\u20132016.<\/p>\n

Le projet \u00e9ditorial actuel vise \u00e0 transformer cette recherche en un ouvrage illustr\u00e9 destin\u00e9 \u00e0 un public plus large, sans renoncer \u00e0 la rigueur documentaire de la th\u00e8se.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ background_color=\u00a0\u00bb#f4f0e7″ custom_padding=\u00a0\u00bb0px|6%|70px|6%|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb0px|5%|45px|5%|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb][et_pb_row width=\u00a0\u00bb72%\u00a0\u00bb width_phone=\u00a0\u00bb90%\u00a0\u00bb width_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb max_width=\u00a0\u00bb820px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_image src=\u00a0\u00bbhttps:\/\/dizagn.fr\/wp-content\/uploads\/2026\/09\/Michel-Mortier-\u2014-Villa-Andre-Levy-\u2014-1970-\u2014-capture-de-travail.png\u00a0\u00bb alt=\u00a0\u00bbMichel Mortier, espace salon du s\u00e9jour, Villa Andr\u00e9 Levy \u00e0 Esbly, 1970″ align=\u00a0\u00bbcenter\u00a0\u00bb max_width=\u00a0\u00bb760px\u00a0\u00bb admin_label=\u00a0\u00bbArchive \u2014 Michel Mortier \u2014 Villa Andr\u00e9 Levy \u2014 1970″][\/et_pb_image][et_pb_text text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb11px\u00a0\u00bb text_line_height=\u00a0\u00bb1.55em\u00a0\u00bb text_text_color=\u00a0\u00bb#6f6a62″ custom_margin=\u00a0\u00bb12px||||false|false\u00a0\u00bb]<\/p>\n

Michel Mortier, espace salon du s\u00e9jour, Villa Andr\u00e9 Levy, Esbly, 1970. Photo couleur, Archives Michel Mortier, Paris. Fichier num\u00e9ris\u00e9 d\u00e9finitif \u00e0 substituer apr\u00e8s validation.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ background_color=\u00a0\u00bb#fffdf8″ custom_padding=\u00a0\u00bb75px|6%|85px|6%|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb45px|5%|50px|5%|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb][et_pb_row width=\u00a0\u00bb74%\u00a0\u00bb width_phone=\u00a0\u00bb90%\u00a0\u00bb width_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb max_width=\u00a0\u00bb930px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text text_font=\u00a0\u00bbGeorgia||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb16px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb header_2_font_size=\u00a0\u00bb19px\u00a0\u00bb header_2_font_size_phone=\u00a0\u00bb18px\u00a0\u00bb header_2_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb header_2_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb]<\/p>\n

PREMIER CHAPITRE<\/h2>\n

Faire g\u00e9n\u00e9ration \u2014 \u00e9coles, ateliers et r\u00e9seaux du design fran\u00e7ais \u2192<\/strong><\/a><\/p>\n

Ce premier essai d\u00e9veloppe les lieux de formation, les bureaux d\u2019\u00e9tudes, les ma\u00eetres, les salons et les r\u00e9seaux qui permettent de comprendre comment se constitue cette communaut\u00e9 de cr\u00e9ateurs.<\/p>\n

\u00c0 SUIVRE<\/h2>\n

Cette page constituera le point d\u2019entr\u00e9e d\u2019un ensemble de biographies, articles th\u00e9matiques, chronologies et documents comment\u00e9s consacr\u00e9s au design fran\u00e7ais de 1945 \u00e0 1973.<\/p>\n

Faire g\u00e9n\u00e9ration \u2014 \u00e9coles, ateliers et r\u00e9seaux \u2192<\/a>
Formes Utiles \u2014 UAM, Salon des arts m\u00e9nagers et objet industriel \u2192<\/a><\/p>\n

Thibault Lannuzel \u2014 historien de l\u2019art, expert et fondateur de DIZAGN \u2192<\/a><\/p>\n

Page de travail \u2014 brouillon non publi\u00e9. Sources : recherche doctorale de Thibault Lannuzel ; archives et documentation DIZAGN.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

RECHERCHE \/ RESEARCHG\u00c9N\u00c9RATION FORMES UTILESUNE HISTOIRE DU DESIGN FRAN\u00c7AIS \u00b7 1945\u20141973Recherche doctorale de Thibault Lannuzel consacr\u00e9e \u00e0 une g\u00e9n\u00e9ration de designers fran\u00e7ais qui, de la Reconstruction \u00e0 la fin des Trente Glorieuses, participe \u00e0 l\u2019\u00e9mergence du mobilier de s\u00e9rie, du design industriel et d\u2019une nouvelle architecture int\u00e9rieure.UNE G\u00c9N\u00c9RATIONAu lendemain de la Seconde Guerre mondiale, une […]<\/p>\n","protected":false},"author":2,"featured_media":3057,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2928","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nG\u00e9n\u00e9ration Formes Utiles | Design fran\u00e7ais 1945\u20131973 | DIZAGN<\/title>\n<meta name=\"description\" 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